Jim Haggerty's Unnatural Causes (2025) - Horror Anthology Film Review

It feels like it has been a while since I last watched an anthology horror film for review, and here at The Rotting Zombie, I sure like anthology films. Jim Haggerty's Unnatural Causes unsurprisingly comes from Jim Haggerty (Housewitch), with him directing, writing, and producing this. The anthology is made up of three short films and a wraparound segment.

With an opening wraparound segment that lasted ten minutes, I expected this part would get a lot of attention. After that opening however, there is barely any more of this. Famous actor; Vlad Eterno (Baron Misuraca - Seymour the Unfortunate Vampire) has passed away, and so two of his fans have managed to sneak into the funeral parlour to pay their last respects. They are surprised then when the man (whose mythos states he is an actual vampire) gets out of his open coffin. He hands the two girls a reel that contains the first three episodes of the horror TV show he had been working on before he apparently passed, before getting into an old car that then vanishes into thin air. Vlad acts as a Rod Serling type figure, introducing each of the three shorts, as well as providing closing comments on the stories that had played out. These parts served their purpose though were a little bland after the initial interesting set-up.

First proper short is Episode 1 'The Other' that feature just the two actors, but intriguingly, far more characters. Gail (Tina Krause - Phil Herman's Unearthed, Coven of the Black Cube) lives a seemingly idyllic life with her loving husband - Dr. Jack Perkins (Ray Taliercio in his film debut), until one day she receives an unexpected phone call. An angry woman with a familiar voice threatens Gail, telling her she should expect consequences if she doesn't leave what she perceives to be 'her' house and husband. Gail informs Jack who tells her there is nothing to worry about, but his actions to the viewer prove different, with this knowledge causing him to head out to remote woodland. From the familiar opening, this goes to unexpected places with a very neat idea. It perhaps got a bit wordy at times, with exposition dumps coming from long conversations, but I enjoyed how silly this became. A recurring small issue here was the blood, I don't know if it was due to colour grading, but the blood looked almost pinkish on screen, something that also happened in one of the later shorts.

Next up is Episode 2: 'The Drag', another half hour short that again deals with infidelity, something which is the unifying theme of all three of the short films here. Wanda (Debbie D - I Slay on Christmas, Jacker) has been cheating on her husband; Tom (Tom Ciociari - Amityville Thanksgiving) with Jerry (Andrew Murano also in his film debut). Tom is well aware of this fact and has a plan that will resolve the issue without causing him any trouble with the law. Later, Jerry gets the assistance of his lawyer friend; George (Justin Levine), who gives him a similar solution that Tom used for how Jerry can get out of his loveless marriage to Polly (Stacey Brook Schwart - From the Inside). An unexpected supernatural element made this one stand out, leading to a predictable yet enjoyable Tales From the Unexpected type finish. The attempt to show a 'Hell' type place didn't really work out, the budget limitations gave this less of a powerful feeling than it deserved.
Levine's George was the stand-out character and so it was a pleasure to see him reprise his role for the third and final short - Episode 3 'Exhumed Innocent'. In this one, with her husband having apparently take his own life, Carrie (Bec Fordyce - Killer Shoes) is free to be with the man she had been cheating on him with. With her dead husband's witch daughter suspecting foul play, she intends to use a spell to return her father to life, so that he can get revenge on those who wronged him. First though, she needs to have the body exhumed. After a bizarre dancing sequence at the start, this goes along in a familiar route with some fun death scenes. It seemed an odd decision to have the returned man look normal and not ghoulish, but it didn't detract. While it was obvious where the story would end up going, it had a near laugh out loud unexpected scene towards the end that I don't think anyone could have seen coming.

The anthology was very indie in its look, background interference was abound, especially in outside scenes, and some of the acting was occasionally not the most amazing. Despite that, I enjoyed this, I thought each of the stories had some unexpected moments to them, with the first two in particular having interesting ideas. There is nudity here in each of the three shorts, with the second featuring some full frontal nudity, not really needed, but I guess that is a plus if that is your thing. Special effects were basic, but they were fun to see regardless, and fitted the indie vibe of the anthology well. Overall, Jim Haggerty's Unnatural Causes wasn't perfect, but it maintained an entertaining feel throughout.

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Stranger Things Burger and Wings - Food Review

Split between getting a succulent Chinese meal and a KFC this evening (at the time of typing, in the middle of Storm Claudia), me and my best friend decided on the later, primarily to try the new Stranger Things Burger and Stranger Things Wings. She suggested I could review it as a blog post and I let her know that I don't do such low-brow content on my site anymore. A few hours later and that seemed like a better idea for a lazy blogger, so here is the review.

Released in time for the fifth and final season of Stranger Things, I had my misgivings about the Stranger Things Burger prior to tasting it. I often find KFC's limited time meals disappoint more often than not, though thankfully that wasn't the case here. The packaging was pretty neat, having vines from the upside down over the box, the show's logo on the side, and on one side it has 'Hawkins Fried Chicken' rather than the correct restaurant name.
The biggest visual change for the burger is its red colour. No idea why red was chosen, but the black sesame seeds on top went well with that colour change. The burger consists of a Spicy Zinger fillet with cheese, pickled slaw, burger dressing, and a special extra ingredient; 'Secret Sauce' (it's literally called that). I was expecting the sauce to be spicy, and it was, but not to as high a degree as I had anticipated. It also manages to have a sweet taste to it at the same time as spicy. For a limited time food item from KFC it wasn't bad at all, we both quite enjoyed it.

The Stranger Things Wings were less exciting, just hot wings covered in the 'Secret Sauce'. That isn't to say they were not also tasty, though I admit to hating getting my fingers covered in sauce while eating anything, so that was a slight issue I had. I think they missed a trick by not calling these simply Stranger Wings.

Likely having milked as much content as I could out of these two items, I would say I enjoyed them both. Neither were something I would rush out to try again, but they sated my post-work hunger, as well as got me and my bestie discussing the show as we ate.

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Asteroid Vixens (2025) - Comedy Sci-fi Film Review

Asteroid Vixens is a comedy sci-fi that according to IMDB was written and directed by Felicity Yeung (White Slaves of K-Town). It doesn't shy away from female nudity, with almost every scene in this 90 minute film having women scantily dressed, half naked, or indeed fully naked. Trying to piece this together is a loose plot that mainly succeeds due to some amusing dialogue between the film's two main characters.

Xex (Kate Ly Johnston - Feral Female) is a fembot, who alongside a floating robot A.I, has travelled to Earth in their spaceship to abduct beautiful women and impregnate them with embryos of hybrid humanoids. Their mission sees them fighting off would be adversaries, while travelling around the globe across time and space looking for suitable candidates.

This sexploitation indie B-movie revels in its purposely cheap looking sets and features no end of female nudity. Despite this there was a lot of variation with scenes set in many different locations. This was almost an anthology of sorts, lots and lots of different things going on, with the lead characters having a slight Mystery Science Theater 3000 feel to their scenes. These were the best parts of the movie, with the space ship represented externally as an obviously CG creation, and internally with a smallish room covered in foil. Computer screens and read-outs are obviously just bits of paper stuck to the walls rather than actual props, and the impregnation beam is a very bright and artificial looking CG effect. I loved the A.I, represented on screen by what appears to be an upside down plastic bowl suspended from the ceiling by a string, with foil strips hanging off of it. This was by far my favourite character, and the scenes on the ship were my favourite moments. Neither of the two characters speak out loud, with it being stated it is all via telepathic communication. Their conversations are almost nonsensical, with both characters going on about the things they are trying to do. They were all universally entertaining, with much of the comedy coming from their discussions. The A.I has a text to speech sound to it, making what they speak about all the more amusing. A special mention to the couple of interview scenes here also, they gave me a real feel of classic parody news show The Day Today with the reporters disinterested delivery.

Most of the film takes the form of different scenes of naked young women hanging around with each other. There are no sex scenes thankfully, but instead you get girls dancing, having baths or showers on their own or with others. There are occasional scenes inserted that have a more traditional film type feel. One of the core side plots being Bouvier (archive footage with her playing a film version of herself) trying to rescue her twin sister who is one of the 'millions' of people that the aliens have abducted. Other plot based scenes included one set in the ancient past that features the legendary Lloyd Kaufman as High Priest, and one set at a party whose male guests all appear unwanted by the girls there. The plot is barebones enough that there did become a moment where I began to wish there had been more to what was going on, with the final third of the film beginning to outstay its welcome ever so slightly. I would be lying if I said I didn't like the frequently trippy visuals, and I also appreciated how well this all was edited together into a cohesive whole, despite it featuring essentially random and unrelated scenes. Despite the very high amount of nudity, it managed to never feel tacky, something that sex scenes would have tipped it over into feeling like.

I liked the B-movie vibe with Asteroid Vixens, especially the parts set on the space ship, and it did feel like something that was different to the norm. I did wish for more of a connective story to all the nakedness (something that even happens in the end credits, with the end credits painted onto a naked dancing woman of course). Asteroid Vixens won't be for everyone, but I personally enjoyed the trippy and non-serious vibe, the integration of space ship and random scenes, and the humorously cheap looking set design.

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Zombies and Cigarettes (2009) - Short Zombie Horror Film Review

Again, taken off the Ultimate Zombie Feast DVD I own, this short zombie film - Zombies and Cigarettes comes from Spain, co-directed by Rafa Martínez and Iñaki San Román (the later who also wrote this). The film is very indie, and doesn't put a fresh spin on films about the undead. It is however, a prime example that within this sub-genre of horror, you don't need much originality as classic zombie stories never get old or dull.

At the end of a day at the shopping centre where he works, Xavi (Samuel Viyela) is treating himself to his favourite ice-cream. On his way out, while trying to impress a girl he is attracted to; Carol (Aroa Gimeno), he accidentally knocks over some cases of a new perfume, and gets covered in the stuff. Almost straight after chaos erupts at the centre. Without explanation, a zombie outbreak has occurred, causing panic as shoppers and staff alike try to flee the fast moving, flesh hungry ghouls that have infested the mall. Xavi accidentally slips over and knocks himself out, waking some time later in a back area store room, having been rescued by three others. The ice-cream merchant, Carol, and sports shop employee - Kendo (Javier Ríos) bring Xavi up to speed, informing him of their plan to make it to the underground staff car park where they are going to use Kendo's boss' car to escape.

The 17 minute short horror starts with a small prologue that takes place deep into the film. It did feel a little pointless as it didn't really leave me with too many questions. I really enjoyed the film. Often with bigger budget movies, there would be sets instead of real locations, here, it is obviously a real shopping centre that has been borrowed for the movie. The initial outbreak was fantastically and chaotically done. People running around, falling over, getting trapped in revolving doors, falling off balconies, while the running zombies leap at their victims to drag them to the ground. So much was happening in this scene that it was a real delight to watch. My favourite part had a man wearing a chicken suit run past the camera just as the iconic 'Wilhem scream' sound effect plays. 
After this exciting intro, the action moves down to the service floor where there is less spectacle, but still a decent amount of undead running around. I thought this part was also fun, though a scene where the floor is plunged into darkness for an extended amount of time seemed a bit pointless.

The zombies looked great in that low budget indie type of way. Plenty of people firing guns at them, and some nice close up action, such as Xavi's use of a metal baseball bat. It seemed some of the effects, such as blood on the floor may have been CG, but if it was, it wasn't that distracting, and makes sense the owners of the shopping centre wouldn't want fake blood spilled everywhere. Blood looked great, and the make-up effects for damage to characters was satisfyingly fun.
The story of the outbreak and end to the zombie outbreak was very simple, especially with how it concluded. This did fit the vague amusement of how hard forgettable Xavi is trying to be the main protagonist, but really he doesn't really achieve much, ending the film much as he was when he started.

Zombies and Cigarettes has barely an ounce of originality to it, but it didn't need to It tells a straight forward indie zombie story in a very capable way. There are plenty of undead, plenty of entertaining characters, and of course, as the title may suggest; plenty of people smoking cigarettes for some reason.

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The Rotting Zombie's News Anthology for Thursday 13th November 2025

It is only after the fact that I realised that October was quite a hedonistic month for me. A reduced blog output and a missed monthly news round-up were some of the results of me choosing pleasure over work. Looking back I can see the bad choices I made, so intend to go back to a regular output of work with caffeine as my only vice while working on this site! Onwards to a terrifying trio of horror news plucked from my bloody mail sack.

VIPCO and BayView Entertainment have released horror TV series - The Hallow Ian Horror Hour: Season 1, it can be found on Digital platforms worldwide, including Plex (here). The first season is made up of 8 episodes, each of which is said to be made up of '...the best in short-form horror'. They include independent short films and music videos featuring a cast of multi-award winning actors, these are interspersed with hosting segments that include such things as small skits, interviews, and the history of Halloween. Season 1 was directed by E.E. Tallent, Sam Arias Mostovoy and Ty Huffer.

Special-needs themed drama - My Apocalyptic Thanksgiving is now on Tubi, as well as other global HD internet and satellite platforms via Freestyle Digital Media. The story is about a zombie-obsessed special needs adult who finds himself caught in a battle between a Korean family and a local gang to be his new 'family'. The man uses his favourite zombie TV show as a way to show these people forgiveness. I said in my respectable 6/10 review that the idea for the movie came from a place of love, and the faux zombie show within the film had some good scenes.

Finally for today, another BayView Entertainment release with Lechuza. Coming from 5-time award winning director Alfons Emilian, this is about a couple who go on a camping trip after ignoring a strange old woman's warnings about the area they have chosen. They come under assault from a vengeful witch-turned-demon (the titular Lechuza). This stars Emilian, Rebecca Blackmore and Jackie Luke.

Zombeer (2008) - Short Zombie Horror Film Review

Whenever I have a week off of work my best friend is always saying I should get a bunch of horror films reviewed to break out in case of emergency. For well over a decade I've owner a collection of short zombie films on a DVD titled Ultimate Zombie Feast. What had put me off watching this was due to the excited tagline stating there were over 5 hours of zombie films on the disc. It only really occurred to me earlier this week that I didn't have to watch this in one go for a review, instead I could treat each of the films to their own review. The first of these was 12 minute short Zombeer, the title I was unsurprised to find existed before any idea for what the short would be about existed. This was co-written and co-directed by Barend de Voogd and Rob van der Velden.

After being found drunk on the job one too many times, the head brew master at a Dutch brewery is told that going forward he is only to work nights at the place. This turns out to be fateful for the alcoholic as alone at night he accidentally tumbles into a giant vat of beer. Of course the man drowns, but he also somehow gets infected by the boiling beer, and the process turns him into a zombie. The next day at the brewery it is business as usual, but the batch of bad beer soon begins to spread and turn all who consume it into flesh hungry ghouls.

Zombeer is a prime example of how it isn't really important to have the biggest budget when making a zombie film. This does everything you would want, though the zombie part of this did come slightly too late into the film. The undead are plentiful and look great on screen (as always there isn't much need for complex make-up effects), but the best part is relegated to an end credits sequence. Weirdly, this begins with a Japanese news report that hadn't been translated - no idea what that part was about. It then goes into a neat found footage segment showing an unfolding zombie outbreak in daytime city streets. It was a shame the very best part of the short took place over end credits.
The story is functional, and the acting is purposely a bit exaggerated, but fitted the events that never took themselves too seriously, obviously realising the silliness of the situation.

Zombeer didn't outstay it's welcome, and for a zombie short it was a lot of fun. The brewery location was one of the best things about this, and I appreciated the special effects were practical rather than CG. Worth a watch, fun in that neat brain-dead type of way that only indie films about the undead seem able to succeed at.

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The Lighthouse (2025) by Social Youth Cult - Music Album Review

Social Youth Cult are a post-punk band based in Newcastle-upon-Tyne in the UK. 2nd November saw the release of their debut album titled 'The Lighthouse'. This eight track album was recorded at the Bunker in Sunderland, and first single - 'Close to Nothing' was released last month on 18th October. As always, I will just state I have no business reviewing music, but I can only try my best (I am very trying as my friends tell me).

It opens on 'Venus', a booming start that took me by surprise due to not realising how loud the volume on my earphones was. I thought this was a great start, the sound and the singing reminding me of a slowed down version of the manic The Eighties Matchbox B-Line Disaster. Next comes first single; 'Close to Nothing', a repetitive beat being the through-line during the five minute introspective Interpol twinged track - another good one. The end of the first third of the album brings 'The Man in the Photo', another great repetitive back beat, with lyrics almost spoken rather than sang, this was possibly my favourite track of the album.
A change of sound for fourth track 'She's Dread' with a classical music starting beat. Slow and ponderous, transitioning into a faster finish, yet another good song that doesn't feel overlong despite the five minute length. Meandering (in a good way) 'Strange Times' is next in line, with 'Dead Space' and 'The Fall' leading things into the end of the album. The later increases the speed from the shoe-gaze feeling previous two. Final track is titular 'The Lighthouse', 5 minutes in length but sped by.

After a blistering start, 'The Lighthouse' settled down into a more slow and thoughtful pace. I felt some of the tracks, particularly in the middle, did sound a little bit similar to each other, but that isn't to say any of the 8 tracks here were bad. A good debut album. Social Youth Cult are currently doing a bunch of UK dates, with Grand Central in Manchester on 16th November, Lubber Fiend in Newcastle on the 23rd, and Mist Rolling Inn at Nottingham on the 28th of this month. Their debut album is out on all streaming services, CDs, and cassette copies available. There will also be a limited run of vinyl LPs.

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Jacker (1993) - Thriller Film Review

Last month in October, I got to review indie crime thriller Jacker 3: Road to Hell. What had interested me about that movie was it was made roughly 30 years after the second in the trilogy, with some of the original cast members returning to reprise their roles. I hadn't expected I would get to see the first two films due to their age, but was given the chance to check them out to. Jacker was co-directed by Phil Herman (I Slay on Christmas, Doomsday Stories) and Benjamin Stanski, the former of which also wrote this, as well as starred as the titular antagonist, and the later humorously playing three different characters within the movie.

A criminal that has become to be known as 'the jacker' has already been on a crime spree prior to the start of the movie. This mystery assailant, true to his name, carries out car jackings, murdering the victims of these attacks. Meanwhile, Mike (Herman) has fallen under the eyes of the police after his girlfriend commits suicide. Known to the viewer is the fact that not only did Mike murder his girlfriend and then made it look like she had taken her own life, but he is also the notorious jacker! His suspicious behaviour alerts detective Jackson (Patric Jackson in his sole film acting role), who soon finds his own woe when his younger sister is murdered. Jackson and his sister's former boyfriend; James (Barry Gaines - Jacker 3: Road to Hell) start to investigate Mike, while the police also start to have suspicion after a second woman he was intimate with is found dead in his flat.

Truth be told, I figured the sheer fact of Jacker being an indie film in the early 90s would make it a tough film to watch. Of course, this was before the advent of better technology made it easier for indie films to be made, so the sound design and camera work will be rougher than what you may be used to. There is lots of background interference, even with my bad hearing, at the worst of these times I was still able to understand the lines being spoken by the actors. The footage isn't the greatest quality, with a real VHS home movie look to scenes. Panning around locations has a noticeable shake to the footage, and occasionally lighting looks a bit blurred. Unexpectedly, this didn't detract from Jacker but instead added to the atmosphere of it. Never coming across as found footage, this nonetheless occasionally achieved an almost voyeuristic quality to the scenes, ignoring the often rough acting of some of the more minor characters, and with a squint in your eyes, it has a very vague feeling of a snuff film in some scenes, lovely stuff.
The plot actually felt more involved than with the third movie. There is a constant feeling of Mike barely getting away with his crimes, and welcoming the police suspecting him, where in the third film he seemed more like a force of nature, killing much more randomly while the police are utterly powerless to catch him. I did know how the film was going to end, having read a synopsis prior to watching the third film, but even so, it was nice seeing how events led up to what I knew was going to happen.

Herman is great as the nihilistic antagonist, more so than in Jacker 3. This killer delights from causing pain (or so he says), and there is even a little dive into his backstory. Much like with that third film, Mike is often amused when carrying out his crimes, and still features the iconic hat, and typical method of death by a single gunshot to the head. Special effects are minimal here, guns are fired in an exaggerated manner without any sort of effect other than the sound of a gunshot. It was neat to see Debbie D (I Slay on Christmas, Doomsday Stories) in a role here, as her character became an integral part of the third movie, though it does turn out her death was retconned, as here it seems not only did she definitely die, but the police had taken her body from Mike's flat, whereas in the third movie she states she had been assumed to be dead by him and dumped in woodland. Jackson was a good contrast to the killer, and his journey of revenge was fun to watch. With secondary characters it had to be co-directer Stanski who stood out. He not only plays three almost identical looking characters, but they always appear together in the same scenes, with the camera awkwardly cutting to make it look like they are interacting with each other. The humour here is intentional, maybe due to knowing that some of the actors really were not the best at delivering their lines, but it blends in well with the horror. When in the thrilling finale the jacker ends up being chased by a man on a child's skateboard, you know this isn't trying to take itself super seriously!

I came to Jacker expecting that I would be in for a terrible 90 minutes, that the time this was made would prevent it from being entertaining. I was surprised then at just how competent this was. Sure, it is very rough around the edges, but it tells a complete feeling story, fits the length of the movie without feeling drawn out, and even with some dodgy delivery of lines, has a cast of characters who were for the most part fun to see on screen.

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For God's Sake Wake Her Up (2024) - Horror Film Review

I think that showing the concept of sleep paralysis within the confines of a horror movie has to be hard. The idea itself doesn't lend itself to images of captivating and horrific scenes. Conjuring: The Beyond and Dead Awake are two such films that come to mind; both attempted to make a film on the subject and failed. I had low expectations then for the Wayne Moreheart directed and James Howells written sleep paralysis horror For God's Sake Wake Her Up. Not without its issues, but this was leaps and bounds better than any other film I have seen on the subject.

April (Mamie Kakimoto) is a woman at the end of her tether. Nightly she is visited by what she believes to be some sort of demonic entity which causes her sleep paralysis. With both her grandmother and mother having died while in the throes of sleep paralysis, April has gone a little crazy, keeping a huge journal of her research, as well as many video diaries documenting her experiences. The woman doesn't believe she has much fight left in her, and that the entity will one time take the last of her will. 
Elsewhere, school girl Rizz (Sarah Crawford) is not dealing with the death of her mother well. Not only did she refuse to go to the funeral, but the typically good girl has ran away from home on some sort of self destructive path of sorrow. She is joined by her friend - Myles (Queen Legend), a much more street-smart girl who intends to follow Rizz to try and keep her safe. Much to Myles' concern, the pair have ended up in a rough part of the city late at night. Her pleas for reason fall on deaf ears, with the reckless Rizz seeing the open door of an old house as an invitation for her to enter and have a snoop around. Thinking the place to be uninhabited, the friends are shocked to see a woman in a state of some sort of distress in a bed in the bedroom, someone who doesn't seem aware of their presence. This is of course April, who is in perhaps the final night of her sleep paralysis nightmare. Rizz decides that helping this woman may in some way make up for her not being there for her mother during her final months, and so promises to help her. It isn't long after that the pair discover they are unable to leave the house, and that the woman's condition may not be medical in nature but supernatural.

What I liked most about For God's Sake Wake Her Up was that the focus was not on the victim, but on characters who in any other movie would have been secondary ones. By the time they arrive at April's house she is already in full sleep paralysis mode. It was neat to see characters arriving at a supernatural event that was already happening, rather than seeing the slow build-up. We are mainly giving April's story via the video diaries she left behind. We see her in the prologue, but then the action brutally cuts away to the two teenage girls, with it feeling like their story was something completely separate. The film follows them over the course of a day, with plenty placed on Rizz's shoulders, due to all the trauma she is facing at this pivotal moment in her life. I liked how the two stories joined up, with it not feeling unfeasible how they came to be at April's home.

The demonic entity (Isabel Klapwyk) was rarely shown but this really was for the best. It has a humanoid look to it, kind of an Insidious style painted face, but other than that it looked pretty normal and a little bit bland. Even mostly hidden in shadow it was hard to feel too much fear from this antagonist, and it's evil sounding voice came across as a little generic. Its powers also seemed a bit random. April was someone who had been terrorised by it for possibly months and months, and she was still holding on. But then it displays powers that extend to not only the whole house, but even the surrounding area. It is able to magically keep the doors and windows of the house shut, can drag objects and people around, and can even attack people. You could argue the reason for April still being alive was due to the entity siphoning off her life force, but spending months causing sleep paralysis to one victim seemed a long winded way of achieving that goal. April also seemed to have powers to her, able to communicate with Rizz via a broken TV, giving the girl hints on how she might be able to defeat the being. When the end does come, the final confrontation was a bit of a let-down. I will say I did enjoy the ending though, it explained previous moments in a way that I hadn't expected.

This was a very well made indie horror, the quality of the filmmaking was apparent throughout. I liked the blend of found footage (with the video diaries), and I did like the interactions between the two friends, even if I found the dialogue to be occasionally a little too wordy and stiff sounding. Despite the entity not appearing on screen until around the end of the second act, I was still engaged, finding the friend's story to be captivating even before the introduction of horror.

The antagonist may not have left much of an impression me, but the film as a whole was good, an almost great story (a few plot holes to be found), and a surprisingly good score to it that made scenes feel full of dread, even if that dread never really materialised. Some characters are done dirty here, but I did like the handful of unexpected moments that appeared, and exploring relatable grief through the lens of the supernatural worked well. For God's Sake Wake Her Up debuted on streaming platform BloodStream, via The Horror Collective; the genre label of Entertainment Squad, and comes to all major digital and on-demand platforms from December 1st.

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The Rotting Zombie's Round-Up of Horror News for October 2025 (Late Edition)

Ah, turns out my scheduling calendar had missed a week with me, so I've literally only just realised as I type this that I didn't actually release my monthly news round-up last month. I have been slacking a bit with my blog lately; I must do better! Onwards to some late October horror news, with this month's cover-star; Scream 7.

The official trailer, poster and first images of Scream 7 are now available. I am hideously behind in the series, so this will be the third new one in a row that I haven't been able to get too excited about. From a distance I do always think the art design for the posters is great. As a series this will always hold a special place in my heart, I still remember the night me, my sister, and friend watched the brand new release of Scream on VHS; the film that really cemented my love for the horror genre.
Enough about me...Directed by Kevin Williamson, Scream 7 story has a new Ghostface killer appearing in the quiet town where series icon - Sidney Prescott (Neve Campbell) has built a new life. She discovers her daughter (Isabel May) is the next target of the demented slasher.

Supernatural thriller; Borley Rectory: The Awakening has had a trailer released. Coming from Greenway Entertainment, this stars Julian Glover (For Your Eyes Only) and Patsy Kensit (Lethal Weapon 2), and is said to be based on true events of a haunting in the titular rectory in the early 1900's. The film was shot in just 12 days, with the director stating it had "...heart pounding jump scares and suspense".

Simon Says came to Tubi, Amazon, and Fandango last month. This comes from director Steven M. Smith (Sweeny Todd: Slice & Dice). The story has a group of lonely hearts all catfished by the same person, arriving at his remote Scottish castle thinking they will be there for a romantic weekend. Inside, they find themselves trapped and forced to play an ancient board game, with the losers dying most likely. The cast includes Eleanor McMahon (Gerbil), Julia Quayle (Mountain Shark), and Leila Kotori (Human).

Scarred is a traditional sounding horror about a photo shoot at an abandoned house once owned by a notorious family, one of whom is still in the area and none too happy about the intruders. Directed by Eddie Lengyel, and starring Ari Lehman, Don Kilrain, Lisa Neeld, Mark Cray, Carl Ferrara and Bart Flynn, this is now available to watch on Tubi.

The official trailer and poster for the Johannes Roberts directed Primate is out now. The first I heard of this was me and my friend having the trailer pop up about it, we both agreed it did look like it could be entertaining. From what I recall of it, the film is about a group of friends whose pet chimpanzee has gone murderous, something like that. Primate comes to UK cinemas on January 30th next year.

Amityville Chupacabra is now streaming exclusively on Cinema Epoch's official YouTube channel. The story has a group of people travel to a remote property linked to the Amityville legend to do some investigations. Instead, they discover a feral Chupacabra has escaped from captivity and is hungry for their blood. The film was directed by Will Collazo Jr., and stars Julie Anne Prescott, Misty Wagner, Michael Ochotorena and Evan Jacobs among others.

Next up, the November line-up for found footage streaming site Found TV. Out today (6th November) is the exclusive premiere of Taped Up Families, November 14th sees the North American release of Fey, and the world releases of The Black Eyed Children and The Final Frame come on 25th and 26th November respectively.

Sci-fi comedy - Asteroid Vixens is now available On Demand, VHS, and DVD. Directed and written by Felicity Yeung (White Slaves of K-Town), this B-movie inspired flick sees embots from a far away galaxy scouting Earth for humanity's most beautiful woman, in order to create a new race of hybrid humanoids.

Norm has had an official trailer released for it. It is a found footage zombie comedy that comes from experimental UK-based filmmaker, Zak Ferguson. The tagline states the titular Norm is a zombie in a world where zombies are illegal.

Finally for today, Nahualli came to digital services for rent or purchase on 28th October from BayView Entertainment. The film draws on Mexican folklore, the story sees two friends; Alex and Mark, who are searching in the forest of Arteaga, Coahuila for Mark's missing sister. It turns out she has been possessed by the ancient spirit of the Nahualli - a witch that enslaves all intruders to her realm.

Someone Dies! (2024) - Comedy Sci-fi Film Review

It has taken me a little while to get around to it, but I have finally had a chance to explore the mind-bending comedy sci-fi time travel film - Someone Dies! Directed and co-written by Justin Petty (Nothing Really Happens), this might be low budget and geared towards humour, but it doesn't skimp on making the time travel aspect a little bit satisfyingly convoluted.

An apparent detective (Joseph Graham - Nothing Really Happens) turns up at an apartment complex with a desperate quest in mind. He has received a letter in the post stating his young daughter has been kidnapped, and that to get her back he needs to go to this apartment address to do something or other. Pretending to be a police detective, he gets access to the place where he discovers a small but assertive young woman - Jane (Amy Anderson who also co-wrote this), she had gone to the flat to purchase a small Japanese sword from the owner; dim but kind hearted Glenn (John Wessling - Coming Out). The detective assumes they are not to be trusted and so goes a bit manic, threatening the pair with a gun. Things calm down enough to the point where the trio form a uneasy truce, and together they discover that under the sink in the kitchen, for whatever reason, is a time machine, and that this has to be linked to the kidnapper's letter.

This is a bizarre and crazy indie film that delights in its eccentric cast and zany situation. For the majority of the movie it is just the three characters, each unique and memorable in their own way. The detective is like a bull in a china shop, his over the top and outlandish behaviour made him very appealing, even if his character is meant to be not the best person. He really reminded me of Saul from Better Call Saul and Breaking Bad, but in a detective form. I enjoyed how extreme his behaviour is from the get-go, how he seems to effortlessly draw people into his mad plans and theories. Glenn was a close second favourite, this mild mannered loveable idiot had some of the best dialogue within the film. Then there is Jane, someone whose personality isn't as extreme, but plays the 'straight man' archetype, pointing out flaws in the other characters reasoning, and acting as a mediator, attempting to understand the detective while not being shy to point out his many flaws. In general terms, the dialogue was Someone Dies! strongest point. For all the plots of time travelling cupboards and kidnapped daughters, the meat of the story is the three characters talking with each other.

I found the core story to be a little too confusing, of course with time travel stories that is often the case. I always felt like there were some core parts of the plot that I just didn't clock, something that isn't always helped by the way it is presented to the viewer. The detective arrives in the story due to the letter about kidnapping he receives. This letter seems to have a lot to it, but is never shown on screen for long enough a time to be able to be read. This led to blind spots for me, I wasn't entirely sure why he had gone to the apartment, nor what he was meant to be doing while there. At some point the carrying storyline moves from rescuing his daughter, to wanting to travel back in time so that he can be a better father to her. I didn't really understand why the other characters get so caught up in this with him, as a lot of the threat is perceived and not actually real. Time travel doesn't feature too much, but there are some parts to it. Early on for instance, the detective shoots Glenn. Later in the film his arm is suddenly fine, but instead the man has a missing eye. I liked how unexplained the time travel part was, characters never really understand where exactly things are sent in time to.

In addition to the clever dialogue there are visual gags, including a recurring idea that I loved. Much of the film is silent in terms of soundtrack, but music does appear for dramatic moments. In a genius move, this music is always manually initiated by characters, due to a music deck they have. So for instance, after the detective is shot at while in his car, tense music begins as he flees back to the apartment. Heading in, he sees Jane and Glenn dancing to the soundtrack, which is shown to be playing on the tape deck. This recurring joke of the music being actually within the movie was wonderful, I never got sick of that. As clever as the plot seemed to be though, the core carrying line never clicked with me, I always felt a bit bemused and confused as to what was going on, that did get in the way of my complete enjoyment.

Someone Dies! had an undeniable charm to it. It did get exhausting at times playing catch-up to the characters who seemed like they knew what is going on, I wish some parts of this had been explained better. This indie comedy sci-fi film was entertaining, great characters and fun moments led to something that was neat to watch. Someone Dies! had it's digital release on Amazon on October 21st.

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Poppy Playtime: Chapter 1 'A Tight Squeeze' (2021-22) - Horror Video Game Review

My desire to buy so many horror themed skins for video game Fortnite during it's recent 'Fortnitemares' event at least had a somewhat positive aspect. With 'The Grabber' skin I finally got around to watching The Black Phone, and with the Huggy Wuggy skin, I finally got around to trying Poppy Playtime. My knowledge of this game was slight, so there were a few unexpected surprises to discover. I had heard that Poppy Playtime was a poor man's Five Nights at Freddy's, and due to not really liking that game that didn't really incentivise me to try this one either. I needed to see where the great character Huggy Wuggy came from, something I recognised through popular media alone. It turns out Poppy Playtime isn't a single game, but instead is an episodic one. It seems that each of the four chapters released so far (a fifth and possibly final one has recently had a teaser trailer released) has you encounter a different terrifying toy. From what I can gather (not having played the others), Huggy Wuggy only appears in first chapter 'A Tight Squeeze'.

The game takes place in 2005, ten years after the majority of the employees of a toy company known as Playtime Co. mysteriously vanished without a trace. You play as an unnamed former employee who was possibly the only one to survive the event. You receive a package in the post, inside is a VHS tape advertising a tour of the toy factory you used to work in, as well as a cryptic letter that suggests the missing employees are actually still trapped in the place. This results in the silent protagonist deciding to head back to the factory, with the hopes of finding his missing colleagues. 

Chapter 1 of Poppy Playtime was free to download and play. I'm not sure how long the other chapters are, but this one clocks in at roughly 45 minutes to an hour to complete. I had expected this would be a single room game like Five Nights, or that it would feature a wandering antagonist who would randomly kill you. Both of those didn't sound appealing. I was pleasantly surprised to discover a much more video game like experience. The chapter has you exploring the first floors of the factory, solving simple puzzles as you go. The goal of this first chapter is to discover a certain graffitied door that had been spliced into the VHS tour tape. Along the way you obtain a device known as a 'GrabPack'. This allows you to grab distant objects, and to lift objects you normally wouldn't be able to. In the process of doing this, you inadvertently awaken the towering Huggy Wuggy; a blue furred lanky toy creature that wants nothing more than to give you a hug...and then bite your head off with its huge mouth that features multiple lines of sharp teeth within.

The first two thirds of the chapter have you exploring the factory and solving small puzzles. It is the final part where the horror ramps up. In a section that reminded me of the laser disc Dragon's Lair games (but with actual direct control), you ascend down a series of maze-like narrow passageways as you are pursued by Huggy Wuggy. It becomes a process of elimination to discover the sole path that will bring you to chapter's end. Despite dying many times on this part, I didn't find it frustrating as I felt like I was making more progress each time.

I came to Poppy Playtime: Chapter 1 'A Tight Squeeze' expecting I would not enjoy the game. It was a delight to see how much more traditional this felt to what I had expected. Geared more towards children or teenagers, this wasn't a scary game, but you cannot say that the excellent Huggy Wuggy doesn't have a very iconic design to it, was great to see the character in its natural setting. The short runtime can't really be called an issue when this first chapter is free. As a taster it has really made me want to continue the story and see where things head next.

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The Lighthouse (2019) - Horror Film Review

Oh boy. Due to not sleeping well last night (at the time of typing), I decided to watch a film of my own choosing for review. Seeing that the Robert Eggers (The Witch) directed and co-written folk horror The Lighthouse was soon to be leaving Prime Video, I thought I would check it out as have heard people speak highly of it. I feel this is going to be a hard film to review. Experimental and abstract and arthouse at times, this was fantastically made, but I'm not sure it's for me.

In 1890, an old lighthouse keeper (Willem Dafoe - Beetlejuice Beetlejuice) and his new assistant (Robert Pattinson - The Batman) have arrived at the remote island where the lighthouse they are due to work at is located. The keeper tells the young man that he is exclusively going to tend to the light during night shifts during the four weeks they are stationed there. This is seen as strange as it goes against regulations not to split the shifts, but it soon becomes clear that the old man sees the light as something almost religious, and jealously guards the entrance to it. After a terrible storm prevents the boat from the mainland coming to collect them at the end of their allotted time, the two men's sanity slowly erodes over being stranded on the small barren island.

I was enthralled with The Lighthouse from the beginning. The small non-wide screen view, the black and white footage, and the serious acting had me drawn in to this world. The film mainly features just the two characters, this becomes the most fascinating part of the movie as both iconic actors nail their roles, easily able to carry much of the film on their own shoulders. Dafoe as the wonderfully stereotypical sounding former sailor shone throughout. Pattinson was as good in different ways, but neither character was likeable or even intended to be. There became a feeling of all this being part of some metaphor with the increasingly surreal and hallucinogenic images, such as the assistant discovering a mermaid out on the rocks, or the keeper's strange worship of the lighthouse light. This increasingly descent into madness is reflective of the characters who both go very off the rails. The meat of the movie seemed to be the complex relationship they had with each other, almost like a dysfunctional father and son one. Vast chunks of the film felt a bit like a multi-episode Dragonball Z fight, instead of fists, the two adversaries taking it in turns to verbally decimate the other.

From the strong start I had high hopes for this, but the horror I desired never really came. I actually found the first part prior to the breakdown in sanity to be the more enjoyable part. The crazed later scenes ended up going on for so long that they felt a little stretched out past my particular patience. I get it wasn't the point of The Lighthouse, but I wish there had been more of a storyline that reached some sort of conclusion. The mystery of what the deal with the light is, is never revealed, nor more major plot points.
On the flipside of the plot, the actual filmmaking was very impressive. At times this gave me a real vibe of old black and white drama films from the 1950s. This is much more a drama than a horror, but the absurdist characters give plenty of moments to put some humour in, even if that is always tinged with an element of malice. The manic binge drinking scenes were a real delight.

The Lighthouse was obviously a very impressive film, something that the filmmaking and acting combine to make happen. Personally, while it never got anywhere near as terrible as Mother!, this still ended up going on for longer than I desired it to be, the last half hour in particular where it became more abstract. The Lighthouse can currently be streamed on Prime Video, though it is due to leave the service in about a week.

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