Ted Bunny (2026) - Horror Film Review

From the tasteless title alone (an obvious riff on real life serial killer - Ted Bundy), I fully imagined Ted Bunny would lean heavily into the comedic side of horror. This Michael Fredianelli (Autumn Moon) directed and co-written slasher took itself a bit more seriously than you might expect. That isn't to say there isn't humour here, especially in its meandering second half.

The crew of an online true crime channel have travelled to the rural home of Catherine (Dee Wallace - 3 From Hell, Red Christmas) to interview her for a program they are going to do about Ted Bundy. The director; Sasha (Diana Roman) has discovered that the woman had been allegedly attacked by Bundy prior to him getting infamous, but has never had her story told for fear of not being believed. Accompanying Sasha is her producer Emily (Mia Parco), and two newly hired members; cameraman Tommy (Tammer Girgis) and sound guy, Richie (Dominic Olivo). Interviewing Catherine, the woman tells a story of having been attacked by Bundy, and subsequently discovering she was pregnant with his child. The crew think Catherine is making the story up for attention, and while on a break from filming, Tommy and Richie decide to break into her basement for a laugh. It is here that they encounter Theodore (Trent Avvenire - Bears on a Ship) - her child, now grown up into a hulk of a man, who has a taste for murder, the same as his possible father.

The first act of Ted Bunny was also the best the film had to offer, from here, it was a steady decline in quality for the rest of the 90 minutes. Expectations were subverted as I had figured the whole movie would take place at the rural house location, with the crew tying to survive against the rabbit obsessed woman and her rabbit mask wearing son. This whole section was played relatively straight, I almost got some The Texas Chainsaw Massacre vibes. It felt novel initially when the action moves away from there, but from here, the film became increasingly silly and unbelievable.
Sasha becomes the primary protagonist, and is soon joined by police detective Dante (Brad Satterwhite), who has one of the most wafer-thin reasons ever as to why he doesn't bother telling anyone else at the police station he works at what they have both discovered. As the film progresses, and the body count rises, this flimsy excuse becomes increasingly ridiculous and makes zero sense. Then there is the introduction of two utterly insufferable side characters halfway through the movie. Tommy and Richie were annoying enough, but Sasha's awful friends - Lauren (Sherill Quinn) and Cassie (Jamella Cross) were ten times as bad. Both were pure comedy character with their actions and words so abrasive to the tone of the movie that they stuck out like a sore thumb. Even worse, these two characters served absolutely no purpose whatsoever, if they hadn't even been in the film, it would have made for a better experience.

Theodore (the titular Ted Bunny) is a rabbit obsessed hulk of a killer, with the intellect of a child and a fondness for gnawing on carrots. He features in a bunch of kill scenes, that while not always amazing to see, were at least inventive and reliant on practical effects. Someone having a carrot shoved into their throat, impaled on a tree branch, and a few head stamps are just some of these deaths. The killer had the annoying slasher trope of conveniently being exactly where he needed to be for each scene. It made the protagonist's search for him seem a bit stupid when the killer just happens to be where ever she goes to search at any given point.
The third act continues the downward slide; odd dream sequences, characters reacting to events strangely, and a late film reveal of what Theodore looks like under his mask, sure, sometimes these were entertaining, but they were also in stark contrast to the more serious first act.

Ted Bunny never seemed entirely sure just how comedic it wanted its story to be. Ignoring the silly title, there are a few moments of genuine horror to be found here. The inclusion of insufferable comedy characters, and the painfully stupid actions of the protagonists meant that by the time the end credits rolled, so were my eyes.

SCORE:

Poppy Playtime: Chapter 4 'Safe Haven' (2025) - Horror Video Game Review

In-between playing mascot horror Poppy Playtime: Chapter 3 'Deep Sleep' and this latest (for consoles at least) entry; Poppy Playtime: Chapter 4 'Safe Haven', I fell down a giant rabbit hole in the form of the very rough, yet equally addictive Garten of Banban series. I was so down this hole that even when I picked up Chapter 4, I still didn't return. Instead, playing through all 8 games in that other series before finally being able to come back. I had in my head that both game series were on an even level with each other, but playing this one, I quickly realised how much more polished and well made Poppy Playtime of course is. Unavoidable spoilers for previous games to follow.

As a former employee of the sinister toy company, Poppy Playtime, you had returned to the factory ten years after a disaster closed it down, following a cryptic letter you received in the post. Safe Haven begins with you descending into the darkest level of the secret underground facility, where there is no longer any pretence as to the twisted experiments being performed by the company. Between the underground prison and surgical wing lies the titular 'Safe Haven', a home for all the non-violent sentient toys, who hide there, protected by Doey the Doughman (a large creature made out of what appears to be Playdough). Poppy arrives and announces a plan that would see the complete destruction of the entire Poppy Playtime facility, as well as the sinister Prototype (the mastermind behind the initial disaster ten years previously). To carry out this plan however, the employee must travel to the domain of  'The Doctor', to retrieve a high access key card that he has in his possession.

Following the trend of the other games, this fourth chapter is again longer than any of the ones that came before, with my overall (Poppy) playtime being over five hours. Deep Sleep introduced more of a pure horror vibe, and that continues here, the bleak and brutalist prison area being a prime example. There is lore here in spades, with this chapter having more notes and videotapes to discover than ever before. The story that plays out during this chapter is also the most involved yet, featuring a big cast of characters. Helping you are Poppy, Oliver, Kissy-Missy and Doey. That later one was a fantastic new one, coming across as almost cartoon-like with his comical exaggerated movement and jovial way of talking, yet also containing within him a lot of darkness that occasionally bubbles to the surface.
Much of the chapter has you pitted against 'The Doctor', an antagonist who is more cerebral, watching you over CCTV rather than physically trying to kill you. He is a constant presence, taunting you, directing where you are able to go, and occasionally sending enemies after you, most notably, the lion-like yarn creature; Yarnaby.

There are puzzles to solve and chase sequences as always, but also an increased focus on stealth sequences that see you pushing switches while avoiding a prowling creature. The stealth is pretty simple as the creatures appear to have atrocious vision, only able to spot you when they are almost on top of you. I enjoyed the chase sequences, nearly all of which were fun to do. There was the odd moment of frustration when it wasn't exactly clear where you were meant to go while being chased. There were also a few boss battles, but all followed a similar pattern of pressing switches and pulling levers.
Safe Haven is graphically lovely, especially coming from the very simple and plain level design of Garten of Banban. I really enjoyed traversing the areas here, occasionally giving a Resident Evil 4 vibe with its mine areas and labyrinthian medical facility areas. All of this leads up to a cliff-hanger finish that was a return to form after the underwhelming end to the last chapter.

Playing Poppy Playtime: Chapter 4 'Safe Haven' made me realise just how superior in quality this mascot horror game is to nearly any other one in the sub-genre of horror video games. I have a soft spot with both this and GOB, but with both games it feels like an ending really needs to come into sight, rather than treading water by stretching out the plot. Many had assumed that Chapter 5 would be the the final game, but apparently that isn't the case. Regardless, the second it drops on consoles, I will be plunging in feet first.

SCORE:

Strawstalker (2026) - Horror Film Review

Strawstalker is a found footage horror, written and directed by George Henry Horton (Dark Obsession), who also co-stars. This takes a look at the falsities of influencer culture, a premise that never became too interesting, despite the horror beginning relatively early on.

The film has a wraparound segment to explain where the found footage that makes up the main story came from. Basically, small-time L.A based social media influencer Sandy (Vincent Ranola - Halloween Immortal) has been inadvertently shown up by two up and coming influencer superstars; Henry (Horton) and his girlfriend Haley (Branika Scott), when his day job as an Uber driver got exposed. As some type of revenge, he then broke into the property they were renting and stole a whole bunch of video recordings he found there. Sandy then edited all the footage he found into a cohesive and chronological 'movie', and so on his next live stream, he announces he is going to play the combined footage for his viewers, and also for himself, as he claims to have been 'black out drunk' when editing the recordings together and so can't recall a single detail that was on them.
The footage story itself charts Henry and Haley's new arrival to L.A, where they hope to cement their reputation and make it into the influencer big-leagues. As their base, they have rented a property in a secluded and private suburb. While there, they discover a creepy scarecrow hidden in the back garden, and this innocuous object begins to unsettle them, with it appearing to have been moved to a slightly different position each time they subsequently spot it.

Strawstalker had a few things going for it. As insufferable as Sandy was, he slightly grew on me. He became almost a proxy for the viewer, with the film occasionally cutting away to him where he gives his reaction to whatever has been going on in the main story. He is also the in-film reason for why the footage being shown has had sound effects and a suitably horror-like film score added to it.
The protagonists proper were even more insufferable, all of this extremely purposeful, as influencers here are never shown in a good light. The couple are constantly filming everything they do, with Henry in particular being very tiresome, constantly acting-up for the camera and goofing around in a clownish way. His catchphrase of "L.A baby!" with his British accent, was so bad, that purely by repetition I came to find it vaguely amusing. Outside of actual cameras being used for the footage, there are additional moments that comes from the couples phones, bodycam footage, and most interestingly, footage that was taken by the antagonist, where they are seen spying on the two. This all flows cohesively, but I found the strange montage that shows all the highlights of the film edited together into a 20 second clump at movie's start an odd choice, as it did kind of ruin some of the more action packed moments.

The horror may start at around fifteen minutes into this 82 minute movie, but it never really progresses to anything that interesting. Sometimes the horror is so well hidden in the background of scenes that I didn't even spot it, when I did spot it, it was always tame. The scarecrow moving around on its own while out of shot was hardly the epitome of terror, I never really understood why the couple found it all so scary. Until the third somewhat wild act, not much of note really happens. There is a slight body count, though being a found footage, I expected it was likely the protagonists wouldn't survive the events. The deaths never looked anything special on screen, and the suggested supernatural element to this was only shown poorly, given a bit of an amateurish feel; set pieces hard to excite. There are no scary moments to be found here, perhaps the point, as the director has stated the film was designed to be campy, and that events while played straight, were not really meant to be taken too seriously.

Strawstalker wasn't all bad. The live-stream segments were done just as well as in other films that use a similar concept, and the wraparound segment at least added something slightly fresh. Overall, there wasn't much entertainment to be found, with it often bordering more on the realm of boredom. Strawstalker can now be rented or brought on Digital HD services in North America, including Amazon Prime.

SCORE:

The Rotting Zombie's Round-up of Horror News for April 2026

You know you've been spending too much time on your own when you have to double check to make sure what year it currently is! The monthly news round-up for April is a week late, mainly due to feeling a bit fed up last week and not in the mood to blog; something I can do if my schedule isn't too stuffed. My bloody news sack on the other hand is indeed too stuffed; over 200 emails about potential news bursting to get out. I will siphon some of that here. Onwards to the news.

Take From Me comes from first-time filmmaker, West Eldredge. It looks at themes of longing and addiction using vampiric motifs, I imagine in a similar way that cult horror The Addiction did back in the nineties. This horror has been picked up by BayView Entertainment, and has won awards on the festival circuit, including 'Best Feature Film' at the Red Rose Film Festival, 'Best Actor' at the Romford Horror Festival, and the 'Audience Award' at the Alexandria Film Festival. Take From Me is available to rent or buy on streaming services worldwide, and also out on region-free Blu-ray.

Also from Bayview Entertainment is Jason Pitts' The Forest Through The Trees. This cult-based indie horror has a trio out in woodland searching for a missing woman, who then stumble across a demon worshipping cult. This too is out now on streaming platforms worldwide.

Shane Aquino's horror - Blackout has been acquired by Uncork'd Entertainment, with the film having its digital and streaming premiere on May 5th. The film takes place in a world where the sun has inexplicably vanished, along with a global power outage. In this dark new world, the survivors are hunted by 'The Ushers' - entities who haunt the living. This does sound interesting to my rotted ears.

Sasquatch Within is a psychological horror film coming from Gregory Hatanaka (Samurai Cop 2: Deadly Vengeance). From the title alone, this sounded like a werewolf film but with a bigfoot instead. A slightly deeper look suggests it might be a film about a secret villain locked in a room with innocents. If that sounds like something you would want to watch, then you're in luck. The full film is currently streaming for free on Cinema Epoch's YouTube channel, with additional releases planned for Tubi and Fawesome.

Staying on the bigfoot theme, Freestyle Digital Media have acquired Squatch, an adventure horror that comes to VOD platforms on March 10th in North America. After a man inherits his father's estate that includes a remote woodland cabin, he travels there to spend the weekend with a potential love interest. Instead they come face-to-face with the titular creature, and so begins a desperate fight for survival. This is directed by Tom Chaney, and written by him and Bill Conger.

The official trailer for found-footage feature length horror, Last Look has been released. The film's intriguing premise has a high-profile social media influencer who discovers a unique deck of battle-style collectible cards. When he begins the game, he realises too late that each card summons a new monster into reality, and that, while streaming the whole thing, he must win the game to end the nightmare. Likened to a horror based Jumanji, this was directed by A.J Bennett.

The Plague was released on streaming platforms, including Amazon, Apple TV, Sky Store, YouTube Movies, EE TV and Rakuten from April 20th. Written and directed by Charlie Polinger in his feature length debut, and starring Joel Edgerton (The Gift), this had its debut at the Cannes Film Festival where it received an apparent 11 minute standing ovation and won 'Best Sound Creation Award'. This has been described as 'a tense, darkly humourous coming-of-age story about masculinity, peer pressure, and the horrors that fester when cruelty masquerades as a game'.

Finally for today, crowd-funded indie horror adventure Echoes of Dread arrives on Blu-ray and DVD this month thanks to Eagle Films, with a streaming release later this summer. This comes from filmmaker Philip Cook, described as a '...contemporary supernatural thriller rooted in digital-age terror'. The story follows a digital creator who discovers a cursed film that had been hidden for over a century. Sharing it online, she unknowingly spreads the curse to all who watch the film.

Trepang2 (2023) - Horror Video Game Review (Xbox Series X)

Originally released in 2023, but only very recently added to Xbox Game Pass, Trepang2; (despite the title this is a first instalment, the original one had you playing as a sea cucumber!?) published by Team17, is a Hell of a weird game to play. This first person military shooter/horror mash-up is pure schizophrenia, the quality going up and down like a yo-yo during the roughly 10 hour campaign. When it's bad it's really bad, but when it's at its peak - it can reach levels of near perfection.

You play as Subject 106 - a super soldier who at the start of the game is being held captive and brainwashed by the shady all-powerful global entity, Horizon. Broken out of your confinement by an equally shady mercenary group called Task Force 27, you are given an offer to join up with them once you have escaped the prison facility and transported to their secretive HQ. Task Force 27 really have it in for Horizon, and so your goals align, with each mission taking you to a different Horizon facility dotted around the world for you to attack and expose its secrets. At each place you uncover sinister experiments that the entity had secretly been performing on volunteers, with this information then published by the mercenary group in an effort to weaken the companies global reach, enough that a full frontal assault on their main HQ can then be initiated.

Trepang2 had the feel of a middle of the road Xbox 360 shooter, albeit, with a nice coat of paint and better quality of life improvements to the gameplay. As the super soldier protagonist, you infiltrate bases over six main missions and an equal amount of side missions (roughly, can't recall the exact amount), with the quality varying wildly throughout. At first this felt like it was going to be an immersive sim in the style of something like F.E.A.R. As you battle through levels, scenery gets blasted apart (reminding me of Black), and you get treated to the increasingly desperate radio chatter of the enemies commanders as you single handily mow down legions of faceless enemy soldiers. There are computers to hack, vents to traverse, key VIP boss-style specialists to defeat, and also...monsters (more on that later). You can hold two weapons at a time, later getting the ability to duel-wield, pick up and throw enemies, as well as use two different recharging super abilities. One of these puts you into a Max Payne style slow-mo/bullet time state, the other makes you briefly invisible. Oddly, you are unable to aim down the sights of your guns (of which I believe there were about 8 different types), instead, the traditional aim down sights button instead throws your grenades. Combat never gets more complicated than that, no upgrades to your abilities, though you are frequently fighting small armies of spawning enemies. Missions, especially the side missions, can become very video game-like in feel, multiple ones being nothing much more than combat arenas where you have to survive against waves of increasingly tougher enemies.

So, at first glance this did feel like it might be an immersive sim in the design of the levels. The places you go to are certainly full of environmental details, but it isn't long before it comes clear (in some of the levels at least) that the actual level layout can leave a lot to be desired. Main missions are typically set in labyrinthian locations, while at the same time also being extremely linear, legions of locked doors funnelling you ever onwards down the only unlocked ones. These missions can be extremely hit and miss, pure joy one moment, screaming frustration the next. Take the second mission that is set in a Horizon medical facility. The first half has you slowly ascending through the facility into the basement lab, where you discover patients had been experimented on and turned into essentially zombie type husks. Sounds cool, but then the second half has you fighting these zombies who really annoyingly explode upon death, leading to lots of swearing on my part as I constantly got swarmed by the blighters. Some of the main missions really do suck, one that sees you assault the mansion based HQ of a group of cultists was once such example that was a real slog to get through. Others though were startingly amazing. One mission sees you exploring a Soviet underground base whose inhabitants had mysteriously all vanished without a trace. From start to finish that level was pure joy to play through; a 10/10 mission stuck in an often middling game. Perfectly designed, atmospheric, and at times transported you ingeniously to Creepypasta 'Backrooms', linear spaces complete with soggy carpet and yellow walls - was so unexpected to discover!
Trepang2 is a crazed mix of military shooter and horror, with roughly 75% of the game the first part, and the remaining 25% when things occasionally gets weird. That other part makes for a real ride, where you are never really sure what to expect next. A moth-man, bio-organic blobs that communicate via computer banks, evil spirits, clones, zombies, and one side mission that sees you on an oil rig battling a giant U.F.O! This felt especially jarring with so much of the rest of the game feeling much more grounded. I was fully on board for the horror of course, a welcome atmospheric break from the pure action of the rest of the game.

Trepang2 was a weird game with a frequently wild and darkly humorous (though somewhat generic) story. At its highs, this has some of the best video game moments I have experienced in years, but it is so hit and miss in quality that the less well designed moments really bring the overall game down to something that at times is very average.
There is DLC in the form of battle arenas and two extra side missions, but I never played those.

SCORE:

The Whistler (2026) - Horror Film Review

Originally, this review for the Diego Velasco directed folk horror; The Whistler (no, not that The Whistler) was intended to go up roughly a week back. Some personal issues led to me being in a bit of a funk, but after an unexpectedly good Friday, I'm back in business, and finally got around to finishing this horror, the first horror I have seen that was filmed in Colombia to my recollection.

After the death of his father, USA based Sebastian (Juan Pablo Raba - Coyote) and his wife, Nicole (Diane Guerrero - Encanto, Orange Is the New Black), head to his family's farmstead back in his home country of Venezuela (while filmed in Colombia, that isn't the setting for the story). They are there both to attend the funeral of the deceased, but also have come to try and convince Sebastian's mother - Isabel (Laura Garcia Marulanda) to sell the family farm and move to America to be with them. Since he has been gone, life on the farm has became increasingly hard for the people who live and work there. First, a group of squatters who practice a strange religion (the real life cult that worships the Goddess Maria Lionza) have created a commune in their woodland, and then soon after there came rumours of an evil spirit known as 'The Whistler' roaming the farm's vast sugarcane fields, bringing death with it.
Mourning the somewhat recent death of their daughter, Nicole becomes increasingly interested in the squatters when she witnesses a ceremony that briefly allows a dead spirit to inhabit the body of a willing host. She hopes that they might perform this ritual so she can once again speak to her dead child. Even though she is warned this might catch the attention of 'The Whistler', Nicole becomes laser focussed on getting the ritual to happen, unaware of the danger this would cause.

Over a week ago I first tried to watch this, only managing twenty minutes before I switched it off. I just wasn't feeling it, it felt like (location aside) another of those generic supernatural horrors like The Bye Bye Man. Picking it back up, I was pleasantly surprised to find this was actually a solidly made folk horror. For those wanting high thrills and ghostly horror this might not be the best choice, with the scenes involving the antagonistic force being some of the weaker parts of the movie. It did however have some great lore, both in the origins of the whistling spirit, but also with how it came to be haunting the land around the farmstead. It never really felt like a cohesive threat, despite it existing by possessing the body of a human, this force was seemingly able to travel vast distances in the blink of an eye, likely for pacing reasons than it literally able to move that quickly. This being features in a whole bunch of death scenes, some more entertaining than others, but usually featuring a victim to be wandering around looking scared, before a barely glimpsed figure leaps out the darkness at them.
I did think that everything around these scenes worked much better. I loved the locations this was filmed at, and the squatter's commune in particular stood out, as did the labyrinthian sugarcane fields bringing a bit of a Children of the Corn feel. The ritual scenes were also a joy to watch, well shot, and very folky.

There was an almost Shakespearean quality to the story, with the film beginning with the squatters and farm-hands already in some type of Cold War type situation, that Sebastian and Nicole just happen to have stumbled into. Sebastian, seeing the actions of The Whistler as being perpetrated by the squatters, is determined to get rid of them by any means. Nicole on the other hand falls more into believing it to be an actual supernatural entity, and that the squatters have wisdom to their beliefs. The epilogue in the last five minutes or so of the movie were not particularly inspiring, leading to a finish that was the film at its most generic. 
As a protagonist, Nicole was ok, a bit of a one note character, only seeming to care about her dead child, and not having much more to her personality. She could have been irritating, but, sure her decisions lead to the horror getting worse, but it was already an ongoing problem, and her selfish desires didn't cause most the events of the movie. I thought Isabel was a perfectly fine side character, more likeable than you may expect, and I thought Indhira Serrano as Petra (someone on the farm side of the conflict who also practices rituals) was useful in providing a lot of the explanation for what had been going on for the viewers benefit.

The Whistler was well made, and I enjoyed the rural setting and the more folk-horror feel it brought with it. The antagonist may not have been amazing, but everything around this character was interesting, I liked the back and forth between Sebastian and Nicole's very different plots going on. Occasionally derivative, slightly slow-burn, but always enjoyable to watch, this was better than it initially seemed it would be. The Whistler had its world premiere at Fantaspoa in Brazil on April 11th, and opened in select theatres on April 17th via Vertical.

SCORE:

The Infestation at Ralls Hall (2013) by Thomas Tessier - Short Horror Story Review

Another really old review of something I should have simply read a long long time ago! Back in 2014, I received a press release about an anthology horror film titled Thomas Tessier's World of Hurt. This was to feature five stories from the author's short stories he had written. Two of those stories included were to be I Remember Me, and The Infestation at Ralls Hall, which I was sent eBook copies of to check out. To be fair, the email I was sent did say to read '...whenever you can...'. So I sat down yesterday (at time of typing but at the time of publishing a long time back) and spent a quarter of an hour reading the latter of the two.

Returning to England, Van Helsing has been asked to stop of at Ralls, where a girl's school is located. One of the students; Miss Emily, has had something strange happen to her. Some days previously, she alleges to have been attacked in her bedroom one night. In the time since she has grown heavily pregnant as if she had been with child for six months or so. Van Helsing suspects something unnatural has occurred.

Originally featured in the 2013 short story collection; Remorseless: Tales of Cruelty, this 24 page story was a period piece, being set in and around the time of Bram Stoker's Dracula (I would imagine). The story covers a lot of ground in a short time, throwing the protagonist into the story as if he were someone we were already familiar with. From the initial investigation, to the later more action packed scenes, this tells the story competently and without seeming like anything has been lost for pacing issues. Throughout, formal language is used, both with how characters speak and with the descriptions used.

A neat little story that deals with an unexpected antagonist threat, blended in with elements of demonic possession and some quite graphic moments. The writing style had me fooled that The Infestation at Ralls Hall was an older story than it actually was.

SCORE:

The Rules of the Game (2026) - Horror Film Review

Kidnapped people being tortured and killed for the benefit of anonymous dark web viewers has been done so often in horror that it has carved out its own little sub genre. I remember as a teen enjoying My Little Eye, and of course there were the Hostel series that propelled the idea nearly into mainstream, and the Saw films are a not too distant cousin of these. Outside of the so-called 'torture porn' aspects (I never like to see pointless suffering), I do enjoy these types of movies, and often due to the single room design they don't really require much of a budget to sell the idea. In the Lani Castle and Jon Cohen (Backlash, The Hanged Girl) co-directed The Rules of the Game (with Cohen also writing this), you have a typical indie example that does have its moments.

On-the-spectrum chess genius Evie (Lola Merewether) is abducted alongside her chronically ill sister, Danielle (Gezel Bardossi) one dark night by a masked intruder. She awakens some time later in a basement that has been repurposed into a series of cells, alongside seven other scared victims. They soon realise that they have each been assigned as a chess piece, and that they must play a game of chess against their twisted kidnapper. Should the piece they have been assigned as get taken during the course of the chess match, then they have five minutes to die. Failure to either make a move within the five minute time period, or failure to kill the taken piece, means that an innocent will be killed in their place. Each of the victims has one of their loved ones being monitored in real time, with the assumption that should any player break the rules, then a one of these loved ones will be killed at random. Evie has been assigned the role of the King, seemingly due to her being the only victim in the cells who actually knows how to play chess. While she is confident she can win the already in progress chess match, she is truthful that even in the ideal circumstances she would only be able to save half of the victims. This of course begins to cause bitter divisions within the group, with the weaker pieces believing her to only care about her own preservation, and that she could even be a plant, put there by their kidnapper.

The very important chess game (shown over a projector) is key to the movement of the plot, it actually features very little, at least in terms of being able to follow the game's progress. The board is only really shown when key moves are being made that will have an impact on the group, so anyone hoping to follow a match of wits on the board won't get that satisfaction. The focus is instead on the dynamics of the kidnapped group, a group that is made up of a wide variety of young adults that go from selfless and noble to selfish and nasty. Many of them are simply unable to cope with Evie 'causing' their deaths by playing the game as she needs to, leading to lots of conflict as various members of the group splinter apart. As a protagonist I did like Evie, her autistic side not done to too much of an over the top caricature. She recognises her weaknesses, but also has the strength of character to do what needs to be done (if only the others would let her). I thought her new friend, Kira (Alyson Rudlin - Backlash) was also decent, even if she started the whole thing a little bit as comic relief. Some of the other characters really sucked, especially the more bad ones of the group who seemed to be there to cause dissent but not actually have any answers. In particular, Lucas (Max Dÿkstra) and Sarah (Angela Zhou) were so cartoonishly evil that it became hard to take them seriously as characters. Not to say they were bad at acting, more that their roles felt one-dimensional for the most part.
This division within the group makes up the most of the story here, the kidnapper featuring, but only in a sub-plot involving Danielle, who has been tied up by his side as he plays the chess game on a computer. This division did leave a taste of displeasure, the film doesn't shy away from having awful things happening to innocent and normal people. There were one or two plot holes in the story, most notable being a second kidnapper in the prologue who doesn't feature in the rest of the film. Their absence was unexplained and convenient for where the story went. The story did resolve on a mostly satisfactory way, but again, there were key questions that got left unresolved.

The Rules of the Game had a good body count, even if most of the deaths were via relatively peaceful lethal injection. More graphic kills do feature on screen and are usually sold well by fun sound effects, and with characters getting covered in blood. One scene that had a character's head split open on the ground was effective due to a combination of these sound effects and blood splatters.
The majority of the film takes place within the basement cell area, a dark and dank nondescript location that works within the budget, and forces the film to focus on the unfolding drama of the situation.

It might have been nice for there to be more tension coming from the game of chess being played, rather than that part being almost a background to the plot. Outside of that, this was a good portrayal of how humans are mostly just awful people, more concerned with profit and self preservation than working together well. It's obvious to see that from just a quick glance at our frequently terrible news in the real world, so this didn't work as escapism for me, but you know what? It really wasn't bad, well made within the limits of the constraints it was working with.  The Rules of the Game is due for release on the third quarter this year, coming from High Fliers Films.

SCORE:

Second Chance: An End Storm Short Story (2013) by Maz Marik - Horror Short Story Review

I had an inkling that I had another End Storm short story waiting to be read for review at the culmination of my 13 year trek to read the other short story I had; The Gathering. This second story, again by Maz Marik is Second Chance. This one too runs parallel to the early events of End Storm, and feels like a side story to the first short, with it showing events immediately before and after that one.

Homeless petty criminal Kyle has once again been arrested for shoplifting, and has been taken to Crawly Police Station where he is well known. He isn't too upset as he knows he will at least get a warm cell and a hot meal. A terrible unexplained event occurs in London, the news of which puts the police into a panic. With more important things to worry about, they release Kyle. Outside he bumps into a friend, and together they head to a storage unit to hide from the chaos that has now reached the town and caused much of the population there to turn inexplicably manically violent. Spotted by other non-infected, their numbers are soon swelled, with some of the survivors deciding to head out and find supplies, with the aim to then retreat out to the countryside where it is hoped there will be less crazies. One of these survivors is Alice, who heads off to the events of The Gathering, while others decide to head on over to a nearby mall.

This was another enjoyable story, though felt a bit surplus to requirements - not really doing anything different from the first short, other than to introduce new characters (who again are most likely side characters from the main novel). I did like Kyle, his story was only the focus for the beginning, but it was a neat introduction to how the emergency services were responding to the mayhem. The sub plot of the police was may favourite, the only issue being a character who was assumed to have died, only for him to pop up again in a near identical scene where this time he is actually finished off.

With the infected having less of a central presence, the horror and violence of their actions was much reduced. Still did not make me once wish that I was going through this particular zombie apocalypse. Second Chance didn't really do anything too different, while I did enjoy reading this, I also got a little sense of déjá vu.

SCORE:

The Other People (2025) - Horror Film Review

I spent much of my time with Nashville based horror The Other People frustratingly confused. I just could not work out what was going on in this very weird and very bleak Chad McClarnon directed and co-written movie (co-written with brother Trey McClarnon). Ultimately, this sure did leave an impression, and with a nights rest between watching it, I have started to piece things together in my mind. I will try and avoid spoilers were possible as this really isn't what it at first seems.

After the death of his wife, William Marsh (Bryce Johnson - Terrifier 3, Oppenheimer) moves to a new town with his young daughter - Abby (Valentina Lucido - iCarly) to begin a new life. At the college where he has been posted to, he encounters dance instructor; Rachel (Lyndie Greenwood - Sleepy Hollow). Fast forward to Abby's eighth year birthday and the two are now married and living together. Abby has recently gotten an apparent imaginary friend, someone she refers to as Eric (Braydon Mohr). Logical William isn't happy with this development, but Rachel sees it as a normal part of growing up, especially with the child being in a new town where she doesn't know anyone. As well as this friend, Abby also has frequent apparent nightmares in which she says a scary man (Hank Quillen - The Nice Guys) tries to abduct her in her bedroom. Are these strange things all coming from a young child's imagination, or is something more sinister at play?

I can't recall the last time I saw a movie as miserable as this one. There are some scenes here that even I found genuinely shocking to see play out; a mid-film flashpoint in particular was so bleak and cruel that for around ten minutes after it happened I assumed I had been mistaken! There are some scenes of strong violence and horror that take place often without really showing anything graphic on screen. The gist of what is happening felt visceral regardless, proving that often the viewers imagination really can fill in the blanks much better than anything that could have been shown to them.
I figured this was a supernatural movie, figuring the imaginary friend and nightmare man were both in fact ghosts. This ghosts are approached in a different way to usual. They look human for one thing even if they do appear to appear and disappear at will. These ghosts also seem to have needs, stealing food and other items from the family, something which sets Rachel on a path of suspicion that something untoward is happening in the house. Initially, I finished the film not really knowing what had gone on, but thinking about it now, it had similarities to Us, the story a commentary on American society, done in a bit of a more grounded way. Some of the ghosts resemblance to the protagonists led to some bewildering scenes that were really hard to parse. Things such as a character seemingly being in two places at once, another time when I had thought a ghost (excellently played by Liz Atwater) was one of the main characters so couldn't understand why she was in the scene she was in and acting so strangely. 

The protagonists were hard characters to get a decent idea of. William was still grieving the death of his first wife, but it was never really explained that well. It led to random scenes of him crying where I was unsure what the matter was with him. Rachel was a more interesting character, taking to the role of step-mother as best as she could. While she did appear to love William, there were odd scenes when it felt like there was a gap of resentment between the two, giving the feel of missing scenes where they had fallen out with each other.  I did like a lot of the minor cast members, maybe the grumpy stereotypical detective (B.D Boudreaux) being my favourite of these. He played a stereotypical detective role sure, but he brought life to it even so. The odd next door neighbour was also a memorable character, the film's one attempt at vaguely alluding to what was actually going on.
There is a purposely off vibe, especially with the night time sequences that take on the feel of a living dream. I'm sure all these similarities between the living and the 'others' was intentional, but on a first viewing it left me often scratching my head in confusion, rather than being immersed in the story. As frustrated as I became, there were some legitimate neat scenes of horror, often with the 'others' hidden in plain sight in the background of shots. There was also some full frontal nudity, something I'm not usually keen on as just seems like needless titillation. Here though, it just about gets a pass within the context of the scenes it is used in.
Some elements of the plot seemed needless, in particular a subplot revolving around William's young assistant, Emily (Quinnlan Ashe), maybe meant to be a red herring, but this sub plot fizzled out and led to nothing of note whatsoever, making me wonder why it was included in the first place. By making the actual plot murky, it did lead to feelings of alienation. It must have done something right though, being tired, I had intended to only watch half the film last night. Instead I found myself unable to stop watching, captivated by the strange two hour film.

The Other People isn't a feel good movie at all, and it can be abrasive with how it tells its story. It did turn into something far different to the generic ghost story I figured it would be; something just as outlandish, but done in an effectively creepy way. I can't say I enjoyed the film, but it was striking and it was memorable. The Other People premiered at Cinequest, screened at FrightFest and Fantaspoa, and was named in the 2026 Popcorn List as one of the best films from the festival circuit. The film has been acquired by The Horror Collective; the genre label of Studio Dome.

SCORE:

Garten of Banban VIII: Anti Devil (2025) - Horror Video Game Review

I said in my review of Garten of Banban VII that I would be saving the most recent release in the series; Garten of Banban VIII: Anti Devil until it went on sale. With my month long holiday to Australia pending (at the time of typing but certainly not at the time of editing!), I relented and brought the game, once again playing the whole thing in a single sitting. This latest game is the most polished and longest yet, but there was also a notable reduction in horror in lieu of more action set pieces. Being both a sequel to Garten of Banban 0 and VII, unavoidable spoilers to follow.

After discovering the existence of a mascot creature that had been intended to never have been found, the ruler of the Banban Kindergarten sixth basement floor city - Syringeon, has put you in prison, to prevent you from revealing this fact. Eventually you are broken out, and in your wild escape you end up in a familiar setting. It is here that you find a creature locked away in a cupboard; Flumbo. A severely injured Banban appears (last seen about to take on a small army of corrupted mascots at the end of Garten of Banban VI) denying all knowledge of having been the one who imprisoned Flumbo and telling him that he is needed at Syringeon's surgery urgently. Realising during the train journey to the surgery that the master of this floor has it out for the player, Banban drops him off at an abandoned medical facility and tells them to meet them later at a central tower the surgery is located at.

I didn't like the increase in characters in the previous game, nor the 1930s themed city area, but here, having you in a more dilapidated area of the city made the early prison section quite fun. After that, the game came to feel like a mix of Silent Hill and Garten of Banban, with the player exploring a long abandoned dark and dingy hospital. Here, there is plenty of lore revealed about various creatures, which I of course loved. This is the first game playing as the the human protagonist that you don't have access the dodgy drone. I was pleased that infernal contraption wasn't in use as it has been terrible to control right from the start and rarely fun. Instead, you are giving a handheld device that can be used to open doors by zapping them with electricity. Interestingly, this is also the first game where you are actually able to directly attack mascot creatures (by using this device). The game is again a mix of puzzles and chase sequences, but nothing too taxing either way. Thankfully, the vast frustration last time around with some of those chase sequences are gone here.

Anti Devil took me about three hours to complete, a mix of horror elements and more action/story based stuff. There were huge developments here, but I can't help that the grander story involving huge amounts of characters have reduced the unsettling isolation of earlier games. There are all the familiar characters, and it even seems the goal of finding your missing child may be getting closer, but the set pieces while exciting and fun, could not be said to be scary. The highlights for me where the more spooky parts. Investigating the hospital was an early highlight, a chase sequence in a storage unit building was also great, having the most unique enemy of this chapter feature. There were a handful of boss encounters, neither of which were particularly great, one was a bit dull, the second a bit annoying. There was yet another Stinger Flynn dream sequence, I always enjoy those. The mid game point took a surreal turn to a tribal village, I did not expect that, and it made for a more sedate change of pace, but again, those alien type creatures are often a bit too comedic for my liking (an early section with a demented doctor was quite freaky I will admit).

By having the story of the dictatorship of Syingeon take centre stage, the horror was diminished greatly. I do enjoy the story, but the horror is what I am really here for, not all out action, so I hope the next instalment (painfully not due until August this year!) will head back more into horror territory, and maybe have the player once again more isolated rather than surrounded by allies.

SCORE:

Basic Psych (2025) - Thriller Film Review

Psychological thriller, Basic Psych has taken me almost half of this week to get through. Not because it was dull or in any way hard to watch, but due to me struggling to get over some strange flu-based illness that left me bereft of energy. Hopefully that hasn't affected this review too much, as I do try and get through films in a single sitting nowadays. Anyway, Basic Psych, written by James Tucker (in his debut feature length writing role) and directed by Melissa Martin, has a simple premise, but takes a long while to get to its unexpected conclusion.

Stuart Prince (Michael Cerveris - Gotham, Stake Land), is a psychiatrist who one day is visited by a new patient; a man who introduces himself as Dan (David Conrad - Ghost Whisperer). Straight away he comes across as paranoid - both not wanting Stuart to make any notes about him, and also, only wanting to visit when the receptionist isn't in the office. Dan then reveals that he was the perpetrator of a double homicide in a local park several years back; an unsolved case that became notorious. He states that it was all an accident, and that he is really trying to be a better person now. While alarmed, Stuart doesn't want to break his oath of patient confidentiality, seeing the man's aim to become better as a valid reason not to report him to the authorities, despite his misgivings. This all takes place in the background to a series of murders in the area exclusively focused on psychiatrists, making Stuart increasingly worried that Dan is the person responsible. When Dan begins to integrate himself into Stuart's personal life, he becomes convinced the man is evil and becomes determined to find a way to stop the man and protect his wife and child.

This had a slight 'made-for-TV' vibe to it, especially with regards to the melodramatic and somewhat cheesy score that followed characters around for the entire duration. I though both Cerveris and Conrad were great in their roles, even if I didn't like either of the two characters. The movie is one big cat and mouse chase between the two men, with it never being too clear who is the one being chased. Stuart begins the film the perfect man, successful, with a loving wife and child, but his association with Dan seems to corrupt him, with his actions becoming increasingly more desperate and dark as the story progresses. Dan, (this character actually has a different name, 'Dan' is a fake one he gives to Stuart, but IMDB states the character to be called 'Dan', so that is what he will be called in this review!) is almost the opposite of Stuart, starting off seeming to be very paranoid, but over the course of the film repairing his relationship with his daughter, and becoming increasingly aggressive and smug. I appreciated how similar the two men seemed, despite having lived very different lives, and liked the downfall of Stuart's morality over the course of the 100 minute thriller.
Not so interesting were some of the side characters, with the two child actors both coming across as quite wooden in their acting style. Stuart's wife; Sisi (Siena Goines - Westworld, Flight of the Living Dead) at least had some spunk to her, and the guy who played the cartoonishly villainous hitman was a third act highlight.
I struggled with character motivations and actions for large parts of the movie. One scene that stuck in my mind was a character finding out something terrible about someone they were close to, seeming to get over it within moments of finding this info out with little explanation. Dan appeared so crazy that it made some sort of twisted sense he was the way he was, Stuart though, I couldn't understand why he wouldn't go to the police despite huge evidence that Dan was indeed evil. That last point though, there was a late film twist that punched me in the face out of nowhere, in a fun way.

There were a few scenes of peril, but the drama of the story was more of the focus here. An entertaining prologue of a man being killed by the murderer started things off well, and there were a few other brief, yet effective looking kills throughout, leading up to a finale that popped up out of nowhere. Special effects were not bad, not that there was much need of them. I did like the flashback sequences, used effectively and not over-done. As a whole the film was well shot, but it always felt like it was an indie film, with no surprises to be found with the filmmaking.

Basic Psych subverted my expectations with its big reveal, so kudos to the story for going to unexpected places. Some parts of the overall story led to frustration, especially in the second half when events began to get more convoluted than I felt they needed to be. Still, Cerveris was great as the frustratingly obtuse protagonist, so not all bad. Basic Psych debuted on digital platforms on April 21st, and premiered as the opening night film of the Three Rivers Film Festival.

SCORE:

Lost Joy (2025) - Horror Film Review

You know what? Lost Joy may be a simple beast that makes little effort to hide what it is all about, but it was also a right blast. Written by Winter Bassett and Jordan Laemmlen, with the later also directing, and both of them starring, this felt like a horror from a bygone era.

Jane (Bassett) has gone on vacation to a remote woodland cabin with boyfriend Jon (Vincent Catalina - Wild Boys) and their dog, Joy (the director's own dog). Something seems off with Jane though, she keeps glimpsing strange things in the woods and constantly hears a banging sound coming from the basement that Jon cannot hear. One night there is a knock at the door, a suspicious man (Laemmlen) introduces himself as Jack. The man states he noticed all the lights were off, and as the cabin belongs to his aunt, offers to help them restore power using the back-up generator. Against Jon's better judgement, Jane invites the man in to help fix the electrical issue, and then later, when his truck won't start, she invites him to spend the night in the guest bedroom. This leads to Jon becoming increasingly hostile towards his girlfriend, obviously jealous of the stranger. Meanwhile, Jack begins to try and turn her against Jon, pointing out how controlling he is, and with a permanent secret smile, appearing to know much more about Jane than he should for someone who has only just met her.

This was a very weird film, with Jane caught between two different but equally odd characters. Jon is obviously used to getting his own way and is controlling, always trying to isolate her. Jack on the other hand may state he wants Jane to become free, but uses his words to try and sway her to seeing him as the guy to trust. They felt like two sides of the same coin, one rigid and stern, the other laid back and free, but both seeking to ultimately control her actions for their own benefit. This leads to a tug of war between the two men, with poor Jane stuck in the middle unsure who to believe. It culminates in a mid-film flash point that actually made me gasp out loud with how sudden the thing happened.

From the very beginning when Jane wakes from a recurring nightmare of being a patient in a mental asylum, you get the feeling that what is being presented to the viewer might not be exactly as it seems. There are overheard conversations that seem to happen out of context of the scene they appear in, the mysterious medication that Jon keeps insisting Jane takes, and brief hallucinations, such as her seeing a bloody hand in the stream. It all felt obvious as to what was going on, even early on. Despite assuming I knew what was up, it was still a heck of a lot of fun getting to the point when the reveal is provided. A late film flashback sequence that showed previous events in a different context was the entertaining cherry on top for this movie.
Special effects worked, decent looking blood, not in huge quantities, but used effectively. There was also a great score that added to the feeling of sustained tension and threat, even in scenes when nothing bad appears to be happening.

Lost Joy was an indie horror that worked fantastically within the limits of its parameters. The twist may have been heavily sign posted, but was still a thrill to see how the plot all plays out. With Jane you have a likeable protagonist, and the character of Jack in particular was great at creating a constant feel of paranoia. Lost Joy is a horror that I know my angst ridden teenage self would have adored, even now, I thought it was a great little horror, which at just 65 minutes long was perfectly paced without any chaff. Lost Joy is due to be released in the third quarter from High Fliers Films.

SCORE: