Written by Bernadette Chapman and directed by Kevin Wayne (Blood Type), who also plays one of the antagonists, Hellbilly Hollow is a horror that is focused around a scare maze. Visually this often looked the part with great set design and inventive kills, but the main story was somewhat lacking.
Producer Mabel (Hallie Shepherd - Blood Type), her boyfriend James (Trey Miller - Guardian of Mine), and their boom operator are part of an online paranormal investigation team, alongside new member; Ally (Megan Weaver - Impulse Black). They run a YouTube channel that investigates allegedly haunted places. Their latest expedition takes them to a popular rural scare maze, both to highlight the maze for their viewers, but also due to the woods around the maze supposedly haunted due to a fire 40 years previously that wiped out a travelling circus. The maze is run by the eccentric Bull (Kurt Deimer - Halloween), who has given the team permission to spend the night camping on his grounds. They think it is because he wants exposure for his scare maze, but in reality, Bull and his hulking mute brother, Tickles (Wayne) are psychotic killers who delight in torturing and murdering random visitors, and have no intention of letting the team survive the night.
I really wanted to enjoy Hellbilly Hollow, but didn't quite as much as I had hoped to. A scare maze where some of the fake scares are actually real people being killed is a cool idea, as the superior Talon Falls can attest to. This one struggles a lot with its story that felt poorly explained. Ally has some sort of legitimate psychic connection to the dead, but this was never going into too much. Due to little explanation of what is going on and character's changing motivations, the plot become unsatisfying, especially the bizarre epilogue that skips ahead a day in time and barely makes any sense with characters acting strangely. The little scenes that play over the end credits were fun, but the actual ending wasn't so much.
Bull and Tickles gave me a vibe of the Firefly family from House of 1000 Corpses, being entertainingly evil with not an ounce of humanity to them. With the Firefly family, it made sense they could get away with their crimes, due to being remote and hidden away. It was a bit too much to accept that at a popular scare maze where random visitors are being killed on a nightly basis, that there would be zero police investigations going on! It could have mitigated this by having the local police shown to be complicit, but this is shown not to be the case. I liked that this family also used normal staff in the running of their mazes, but again, this made their blatant and very out in the open kills unbelievable, which did pull me out of the film more than once.
The protagonists were fine, bland, but did their roles well. I can't say I cared about anyone, good or bad. Least favourite characters were two very smug ghosts/voodoo witches(?) who seemed to interact with random characters without their sudden appearances in a cloud of artificial looking CG smoke bothering anyone. I couldn't see what these two even brought to the film.
A highlight of Hellbilly Hollow were the kills, especially with how inventive many of them were. Amusingly, many of the kills revolve around twisted versions of fairground games, such as 'whac-a-mole' (gagged victims replacing the 'mole' part), a test of strength gone wrong, and hitting the target to dunk the person in a pool (in this case dunking a victim trapped in a car into a lake to drown!). The favourite one for me was a victim strapped to a spinning board, with death by either acidic, or very hot lawn darts! There were more straight forward kills as well such as an early disembowelling and a throat slash, and all deaths were mainly done with lovely looking practical special effects.
Some scenes throughout the film were ruined by an obnoxiously loud soundtrack. The film's score fitted, but the licenced songs that featured were so loud that they overshadowed the dialogue and sound effects. The music was so loud and overbearing that I spent these scenes trying to work out if the music was meant to be playing in the film world itself. I came to the conclusion that no it wasn't, just odd balancing.
There were some great ideas and moments in Hellbilly Hollow; the location used looked neat and authentic, and the fairground themed kills were entertaining. I may have not liked the character, but Deimer played Bull with gleeful relish. The thing that most put this down for me was the story. Story beats in the second half of the movie increasingly made little sense, especially with characters who shifted allegiances for little to no reason. This left me to ever more baffled, and let the second half down. Hellbilly Hollow is due to be released in the third quarter this year, via High Fliers Films.
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