New Fears Eve (2025) - Comedy Horror Film Review

New Fears Eve is a comedy slasher co-directed by Eric Huskisson and P.J Starks (Hallows Eve: Slaughter on Second Street), the later who also wrote this. Comedy in horror films can be hard to get right, humour is subjective after all. Too much humour and you can dilute the threat of the antagonist force is one such concern. Thankfully, the best thing that this movie does is treat the killer and kills with respect, making them look legit and gnarly on screen, even when comedic elements get mixed in.

There is a serial killer on the loose in the city, someone the media have came to call 'The Doctor' due to their kills indicating medical knowledge, as well as many of the kills being via surgical implements. This madman on the prowl hasn't really affected the employees of Hooper Industries, who are gearing up for a mandatory work-based New Years Eve party. These include three best friends; Leslie (Lily Claire Harvey - Hinsdale House),  Brian (Turner Vaughn) and jokester, Moses (Matthew Tichenor). Little do they all know that the serial killer has chosen their office party as the place to see in the New Year.

So yes, humour can be hard to do as it isn't always going to appeal to everyone. Sadly in this case, for me personally, the majority of the jokes fell flat. I have never been a fan of sex and bodily function jokes and there are plenty of those here. I felt the comical script resulted in many actors saying their lines in an unnatural way. The film didn't go as far as to be a farce, characters and situations can get funny, but they still operate in a relatively normal world, rather than unexpected madness breaking out at any point. Maybe due to this being a comedy horror it was intentional, but characters here never seemed authentic, making it hard to care about them when they don't feel like real people. There were a good amount of notable side characters, such as the ever reliable Felissa Rose (Sleepaway Camp), Dave Sheridan (Scary Movie), Jeffrey Reddick (the creator of Final Destination), and Hannah Fierman (V/H/S segment 'Amateur Night') to name a few.
Another element of New Fears Eve was the story, and as may be expected, this was wafer thin. The subplot involving stand-out character; crooked cop, Officer Flanagan (Jay Woolston), suggested a grander plot was happening somewhere deep in the background, but this never came to the forefront. Indeed, the film ends with its story completely unresolved, cutting to credits when it felt like the finale was just hitting its stride, most unsatisfying. I assume this is so a sequel can be made, but it would have been nice to get some closure on the first film's journey.
Back to the comedy; it wasn't all off-putting, there were some humorous moments on occasion. I liked that the protagonists had all previously been terrorised by the Doctor but hadn't bothered to mention it to each other, and a Die Hard gag got a smile out of me at one point. The best of the humour was of the visual kind, mainly popping up in the excellent kill scenes.

The shining star of New Fears Eve were those kill scenes. There is a Hell of a lot of kills throughout the 95 minute runtime, nearly all of which are shown on screen rather than alluded to or suggested. There are comedic deaths, but there are also plenty of violent and brutal kills that have strong horror elements to them. It can be over the top for laughs, such as a victim getting their face ripped off ridiculously easily, a victim getting impaled with a flung dildo(!), someone having their intestines fed into a waste disposal unit, and a trio of victims all getting their throats slashed in the same swipe. Blood is never in short supply, making even these more silly deaths feel visceral. More 'traditional' kills include decapitation, stabbings (usually with scalpels), a drill, and a bone saw to the back of a head. All of these were done with wonderful practical effects that made every single death look fantastic and on occasion pretty horrific!
As to the killer himself, he really looked kind of neat, achieving a perfect balance between sinister and goofy. The Victorian look of top hat, waistcoat, and long coat combined with the plague doctor mask made him look the part, while the glowing red eyes on the mask gave it a little of a cartoon feel.

New Fears Eve may not have appealed to me in terms of its humour, but it is hard to argue that this film doesn't do its kill scenes fantastically well. Varied, inventive, and often over the top, these were all a delight to see. It would just have been better if there had been any characters here to really care about, rather than a whole load of cannon fodder for the Doctor. New Fears Eve was released in December by Cineverse.

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The Rotting Zombie's News Anthology for Wednesday 8th April 2026

I started my blog output a day late this week, not that anyone would realise, but has meant each post has been shifted forward to the next day. I'm really trying to start watching films for review at night. It is quite hard though, not due to getting scared, more that I am not remotely a night person and begin to get real tired around the 20:00 mark! Onwards to the news (which I spookily wrote at night).

Co-directors Ellison Winterstein and Harrison Orwig have released their supernatural thriller - The House on the Lake via BayView Entertainment. This 70 minute movie concerns a young woman who finds her remote lakeside house to be haunted by spirits and demons. In desperation she turns to a priest, but their attempt to cleanse the house is interrupted by the arrival of ghost hunters.

Dolly is now available to own on Digital platforms via Vertigo Releasing. Directed by Rod Blackhurst, and starring Fabianne Therese (John Dies at the End), Russ Tiller (Blood for Dust) and Seann William Scott (American Pie) among others, this serves as a tribute to classic 70s slashers. The film follows Macy; a young woman who is abducted by a twisted figure who plans to try and raise the kidnapped woman as if she was their own child. Dolly released on 6th April and can be found on Amazon Prime Video, Apple TV, YouTube Movies, Sky Store, and Virgin Media.

Finally for today, Joshua Nelson's latest film is Ashes of Vengeance, which is said to be a '...chilling exploration of psychological warfare'. This released on January 27th via BayView Entertainment, and is about a group of women who go to a remote house seeking a safe space to heal from a shared traumatic event. Their attempt to heal is broken when a group of men arrive at the house unexpectedly, leading to a bleak night for all concerned.

The Guard Room (2026) - Horror Film Review

The Guard Room is an indie horror film that blends elements of a murder mystery, supernatural horror, and slasher. Directed and written by Michael Thordarson (Sophie and the Serial Killers), this may be light on thrills but I really enjoyed the cyclical nature of the pacing.

Olga Molina (Gone with the Dead, Bye Bye Kitty) stars as Hilda; a woman who has recently gotten a job as an overnight security guard in an isolated warehouse district. She is soon brought up to speed by long time guard, Lucas (Michael Fredianelli - Bears on a Ship, Ride Scare: the Beginning), he tells her that apart from homeless people wandering onto the site, there isn't much to worry about. After a few nights on the job, Hilda learns that the security guard she replaced was actually found dead on the job, his death remaining a mystery as to whether it was a murder or accidental. This alarms her, making her angry that no one had thought to mention that to her when she got the job. She decides she is going to look into this unexplained death, for her own peace of mind more than anything else.

Being out of work myself at the moment, I immediately took a shine to Hilda, identifying with her needing a job to earn money. She is one of the more relatable and down to earth protagonists in recent memory. I liked how basic she was, making it clear she is working for money, and never going too above and beyond what is expected of her. This is best displayed in an early montage sequence that mixes scenes of her dancing like a loon to music in the guard room, to scenes of her out on patrol around the warehouses. She was in no means a perfect protagonist, there was some odd humour to her, and the running joke of her referring to homeless people as 'unhoused' and then whoever she is speaking to getting confused about what she means soon wore out its welcome.
Lucas was another great character, almost the stand-out one here. His indifference to his job, and his general attitude made him interesting to watch, especially liking the brief interactions between him and Hilda.

The story reminded me ever so slightly of Five Nights at Freddy's, with odd events escalating as the nights go on. Hilda's need to earn money is a perfectly fine reason for her not leaving at the first sign of trouble, and the escalation is so slight that it makes sense she sticks around for the most part. I loved the feel of the film constantly switching between the night shift scenes, and the ones set after the protagonist has finished her shift and returned home with fast food in hand. This gave a neat structure to the unfolding events, though it should be mentioned the horror here is slight with a small body count and not many moments of high peril. Many of these perilous scenes involve her interactions with the random strangers who have ended up in the warehouse district. From people who threaten her, to a recurring masked maniac armed with an axe(!), as well as repeated glimpses of a sad looking woman wearing a white dress (Sherill Quinn - Bears on a Ship). That later character has the suggestion of the supernatural to her, though the melding of grounded murder mystery and ghostly goings on was always abrasive here, the two styles never neatly fitting together.
The conclusion was ok, but felt a bit loose, like elements hadn't been satisfactory explained by the time of the end credits. This conclusion did have its moments though, and I liked the path the protagonist was led on.

The Guard Room was a neat indie film that despite a low level of horror, and some weak supernatural elements, remained entertaining due to interesting characters, great pacing, and somewhat relatable situations. The Guard Room is due to be released via Magical Hammer Productions.

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Haunters of the Silence (2025) - Horror Film Review

It has been a fair while since I watched a truly experimental horror, and the Tatu Heikkinen and Veleda Thorsson-Heikkinen co-directed and co-written Haunters of the Silence is definitely that. This is a low budget indie arthouse folk horror that was shot on a low cost of $2,000. I'm not going to lie, this type of movie is not my favourite sub-genre of horror, but even with that in mind, for a feature length debut movie, I was very impressed with the filmmaking techniques here.

K (Heikkinen) returns to his remote woodland home after a lonely pilgrimage to the sea to scatter some ashes. Heading to bed for the night, he is initially alerted to the proximity alarm notifications on his phone telling him the camera has been triggered. After some investigating and finding nothing, he mutes his notifications and returns to bed. It is here that he encounters a intruder dressed all in black (John Haughm), with a trench coat and a fedora concealing his identity. In terror, K flees his home into the nearby woods, beginning a long night of nightmares and fear for the poor man as the mystery figure gives chase.

My problem with experimental films is my relatively low tolerance for the style of these. In this instance, I lasted thirty minutes before the shine started to wear off a bit. That first half hour I was completely hooked though. The first act had the most semblance to a traditionally told story, playing out in linear fashion. At times with the night time atmosphere, this had a feeling of an adult fronted Skinamarink; the feel of a perpetual nightmare with no end, full of audio and visual hallucinations. This all adds to the off-kilter feel, the movie including among its melting pot discordant music, black and white segments, slow motion scenes, stop motion, animation, and kaleidoscopic images. It was all very arthouse and also legitimately impressive, especially with the sublime editing and cinematography.
The middle of the film's tale got a lot more abstract. Lots of staring at skulls for minutes at a time, and a neat stop motion section that has bones forming into patterns and shapes. Here was where Haunters of the Silence did lose me for a bit, these long sections were abstract and didn't feel like much was happening during them. It remains though, impressively put together, the visuals and sound combining to feel like an art installation - each and every image intricately placed.

The arthouse feel does lead to some genuine moments of horror. I loved the claustrophobically intimate feel of the first act with the rain hammering down outside, and the film throughout never loses the feeling of experiencing someone's nightmare. K is a silent protagonist, and outside of the film's constant score, the only dialogue found comes from TV chatter, voicemail messages, and a lecture on a gramophone record. No surprises, the story is heavily implied to actually be a nightmare the protagonist has slipped into, with obvious suggestions of sleep paralysis (IMDB states one of the director's own experience of sleep paralysis led to the seed of this film).
The hat wearing intruder plays a key role, though isn't present for the entire movie, showing up time and again. He was effective, but more so was an animated comic strip that showed the interactions between a man and an evil hypnotist in simple but creepy ink drawing. There were some great parts here, and the variety was constant. Day abruptly turning to night, a photo in a frame that starts to bleed into reality, as well as the ending scene were all highlights for me.

Experimental film such as this are an acquired taste, so this won't be for everyone. For me, I found it slightly exhausting to watch at times, but this was a masterclass of filmmaking nonetheless. This was masterfully edited, and felt like it had clear vision for what it was trying to tell. Expect long scenes of hallucinagenic images speedily spliced together, and an unwillingness to adhere to more traditional ways of telling a story, but all done in an often fascinating way. Haunters of the Silence premiered at the Serbest International Film Festival in 2025, and it won 'Best Experimental Film' at the Paris Film Awards later that year. This was released for streaming on Tubi in February.

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Shadow Castes: Book 1 - Aspects (2011) by Scott Harper - Horror Novel Book Review

I received the eBook version of author Scott Harper's Shadow Castes: Book 1 - Aspects way back in 2012. Once again, to my shame I have only just this moment (at time of writing) finished reading it. As can be gathered from the novel's title, this is the first book in a series (and from what I could find on the net, a sequel has yet to be released). Unlike other books of Harpers I have read, such as Predators or Prey? and Necromancer, this is purely the start of an ongoing story, rather than present a self contained story, it very much sets up future events with no real resolution to anything.

Felix is a tormented man. He is forced to live away from society in a remote woodland home due to being a werewolf. His daily struggle to control his wolf side is interrupted by the arrival of a beautiful woman; Nephele. She tells Felix that she travels the world seeking to help werewolves deal with their condition - being a werewolf herself who has discovered a way to co-exist with the beast within.
Elsewhere, psychic vampire Eugene lives in his Gothic mansion with his spirit guide; Charlotte. They want nothing more than to find a way to make Charlotte's form solid, as the pair are in love and want to be able to be together. A less noble psychic vampire named Drake is on the loose nearby, getting joy out of tormenting his victims.
Finally, there is the hunter; a tormented man living on the edge, determined to hunt and kill werewolves, due to his wife and unborn child being killed by one in the past. He teams up with a determined young woman after evidence of a werewolf pack hunting in the city is discovered.

Shadow Castes is a mixture of romance and horror. With the exception of the dastardly Drake, each of the subplots going on is made up of a male and female character either in love, or falling in love. Having read previous books of the author, I have come to expect his reluctance to make his female characters anything but flawlessly beautiful. Nephele is the chief of these characters, spending the majority of the novel naked, with a few sex scenes peppered in. I often state werewolves are my least favourite monster, but here at least things felt a little different. Werewolves here aren't people who literally transform into wolves, but the spirit of the wolf contained within them is able to manifest in a solid 'shell' that encapsulates the host.
The werewolf part was the main story in the novel, second in line was the hunter's story. I liked that this character initially appears as an antagonist figure, before vanishing for much of the middle of the novel. The next time he reappears there is more context provided that suggests he has good reason to do what he does. Then there is the Ying and Yang of Drake and Eugene. The former is notably cruel and horrid. Eugene on the other hand seemed completely wasted here. He spends the entire novel in his mansion not really doing anything of note at all.
Being the first book in a planned series, you could forgive the lack of much forward momentum in the story, but it would have been nice for all the various characters to at least be aware of each other by stories end.

Action is kept to a minimum here. There are moments of high action, but mostly each of the subplots have lots of romance and talking, but not much threat. This was well written and felt brisk with its 239 pages.
The preference for attractive flawless women works better with a novel that I feel is likely intended to include romance and horror both, and there is an adequate blend of the two genres here.

Never judge a book by its cover. With Shadow Castes: Book 1 - Aspects, I expected this to be romantic drivel, based on cover alone. To be fair, I enjoyed reading this, and I was surprised that the werewolves here were not irritating to me. Ending on a decent cliff-hanger (that may never be resolved), this was a decent start to a series, even if I did wish it contained a full story, alongside the beginnings of one.

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Crybaby Bridge (2026) - Horror Film Review

Directed and co-written by Sarah T. Schwab, Crybaby Bridge is a very slow drama based horror with some mild supernatural elements. A small, perfectly chosen cast round-out this horror, but the lack of much going on may make this not for everyone.

Will (Michael Laurence - Airplane!) and Evelyn (Florencia Lozano - One Life to Live) are relocating from the city to a remote rural town, mainly due to the fact that their 16 year old adopted teenage daughter, Samantha (Sydney Mikayla - General Hospital) is pregnant and has been getting incessantly bullied at her school as a result. Staying at a woodland camping ground while on the journey to their new home, the family hear a ghost story about a nearby bridge that the locals have nicknamed 'crybaby bridge'. The local legend states a pregnant woman jumped off the bridge, killing herself and her unborn child, and that now she haunts the place. Ignoring the warnings about the bridge, the family decide to head towards it, thinking they will take the scenic route to their new home. The location turns out to have a strange pull for Samantha, who gets plenty of time to be by it due to car troubles. It is while they are stuck in the area that they encounter a creepy local; John (Erik King - Dexter), someone who is linked to the bleak legend of the bridge.

A very slow burn of a movie, so much so that by the halfway point about three quarters of an hour in, not much had really happened at all. Supernatural elements are suggested more than explicitly inferred to be real, the most really given are some audio hallucinations and nightmare sequences. That later part did have my favourite moment of the movie, where a school corridor and the bridge are edited together repeatedly, it looked great on screen. The supernatural element is so slight that it could easily be argued it wasn't an actual thing within the story of the film. With the appearance of John, this began to feel more like a thriller than a ghost story.

Due to the slow pace, there wasn't much need for grand spectacle. The story for the most part is grounded, and was well acted with the four central characters. Stand out actor for me was Lozano, her character of Evelyn wasn't the most likeable of people, but she felt like the heart of the family. Certainly more so than Will who was more of a reactionary character for better or for worse.
Some parts of the plot didn't appeal too much. Events ramp up for the third act, but I found myself missing the more drama centred earlier moments. Later, it seemed like the story was led slightly clumsily through a series of obvious and slightly derivative story beats. At times it felt like things were being thrown at the wall to see what stuck, such as a tonally odd end credit sequence that featured a reporter doing a series of slightly comical interviews with locals about the legend of the bridge.

Crybaby Bridge wasn't the most exciting movie. The subjects of teenage pregnancy, adoption were interesting in their own right, but this didn't work satisfactorily as either a drama or as a horror. It was well acted though, the four principal actors all doing solid jobs. Crybaby Bridge releases in the second quarter this year from High Fliers Films.

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The Rotting Zombie's Round-up of Horror News for March 2026

This time last month I was about to head to the other side of the world. Now, as of typing, I am back at The Rotting Zombie HQ. A very peaceful and relaxing holiday, even if the 30 hour return trip has given me some mild PTSD! Introverts do not like being sounded by people for so long. If there is such a place as Hell, then I imagine mine will be me stuck on the endless flight from Kuala Lumpur to U.K for eternity - when a child projectile vomits down the aisle in front of you within an hour of take-off, you just know it's going to be a great flight!
Last month's news post was tiny, let's see if I can improve on that this time around. Especially when I have so much news in my inbox. Onwards to the news!

The Demon of Serling is a bleakly comedic thriller about someone whose neighbour is a murderer. Coming from filmmaker Dylan R. Nix (10/31 Part 4, Sharp Candy), this has a man (R. Nix) discovering his neighbour; Mr. Yarley (David E. McMahon - He Never Left) is a serial killer. Rather than go to the police with this knowledge, events lead to the two men going on a '...transformative night'. The director says of his film: "We wanted to take the 'serial killer next door' trope and turn it into something more intimate and existential". The Demon of Serling is now available on Collector's Edition Blu-ray and Digital via Scream Team Releasing.

Chuck Morrongiello's Bad Bunny has surpassed 2.5 million views on YouTube, probably due to having a similar name as music artist...Bad Bunny. This rabbit monster themed horror has a woman heading to a remote cabin where she gets hunted by the titular creature. Bad Bunny can be seen on Tubi and Apple TV.

A new poster has been released for the latest film in the Scary Movie series. This comes to cinemas on June 5th. The comedy horror takes place 26 years after a group survived being stalked by a familiar masked killer. Now they find themselves once again the killer's target. Scary Movie is a parody that plays on horror film tropes and makes references to many horror films as part of its gags. I saw the first two films at the cinema and quite enjoyed them for what they were, even if the sex jokes and gross jokes didn't appeal. Back in 2022, I reviewed Scary Movie 3 where I gave it an acceptable 6/10 saying I '...appreciated the parodying of the horror films...'.

Psychological horror film, Broken Bird comes to US theatrical release on April 24th. Starring Rebecca Calder and James Fleet and directed by Joanne Mitchell, this is based on Mitchell's short film Sybil. In this one, a lonely mortician (Calder) searches for love, but her need for connection takes a disturbing turn. Broken Bird is one of six films developed by Catalyst Studios as part of its mission to '...champion female-led stories by woman directors and producers'.

Distort 2: The Dead Among the Trees is a FOUND TV exclusive, coming on May 1st. The found footage sequel is first to screen at the upcoming Unnamed Footage Festival in San Francisco before making its streaming debut. I haven't heard of this before, apparently, the sequel takes place once again in a remote Irish forest, picking up the threads from the first film. A musician returns to the woods alongside a documentary filmmaker to discover what really happened there.

March 10th saw the release of suspense thriller - Do Not Open to Digital video. The film is about a married couple in their fifties who head to a secluded cabin hoping to fix their fracturing relationship. The couple are given one rule at the place; to never open the door at the end of the hall, but as their vacation goes on, the man feels himself increasingly compelled to find just what lies beyond the forbidden door. Do Not Open was shot in 4K HD resolution and is said to offer a surprising ending. 

Two Giallo themed horror films are now available on TubiTV and Fawesome TV. In Boy of Your Dreams, a college student awakens in a rental guest house to find her phone missing and a serial killer  hovering over her. In The Mother's Eye, a woman's normal night is altered when she realises a serial killer is after her.

Axes and Os is a Valentine's Day themed slasher that is now streaming on Amazon Prime Video, Apple TV, Tubi, Screamify and Relay. Headlined by Jamie Bernadette (I Spit on Your Grave: Déjá Vu), this sees a group of girls on a weekend getaway hunted by legendary Valentine's axe murderer - Luther Dremel.

Onlyfangs star August Kyss and Vida Ghaffari have joined the cast of Harley Wallen's upcoming psychological thriller; Blur. This takes place within the modern music industry, and is told through the 'fractured perspective' of Jenny. The film looks at how ambition, desire and power can both intertwine and corrupt.

Horror comedy Sorority of the Damned has came to Amazon Prime Video. Co-directed by Stranger Things alum Joe Davison, the press release states this 'celebrates the golden era of creature features'. In the film, a clumsy handyman discovers he is the last in a long line of demon hunters. He finds himself called to the challenge when a devoutly religious house mother (Felissa Rose) opens a portal to Hell that brings forth four elemental witches (including WWE star Katarina Leigh Waters).

Finally for today, Freestyle Digital Media have acquired thriller feature - The Man with the Silver Case. It is due to gets its Digital debut in North America on April 7th. This film sees a desperate man who agrees to deliver a suitcase to a shadowy organisation. He finds himself pursued by others who are happy to kill anyone in their way to get their hands on the case's contents.

Thera Will See You Know (2025) - Short Sci-fi Horror Film Review

Back in the early days of my blog I was constantly getting emails telling me about the films featuring prolific actor and filmmaker - Kim Sønderholm (Little Big Boy: The Rise and Fall of Jimmy Duncan). It was a blast from the past then when I received an email talking about a new short sci-fi/horror film that he has directed called, Thera Will See You Now. This short felt very current with the advent of A.I, the themes covered here I have already seen in a more mundane way in real news, with our current very basic 'A.I'.

The intro text gives an alternate timeline of the past six years. Starting with the Covid pandemic, this timeline suggests the lockdowns lasted a lot longer and there became an epidemic of loneliness, leading to high suicide rates. A.I was used more for connections, leading to present day where a controversial A.I led emotional support network was created. The short takes the form of a series of these support sessions. Maya (Mie Gren), Jacob (Sønderholm), and Louise (Sara Amlund) have joined an A.I led support group to help them with the issues they are facing in their lives. Louise has been struggling to come to terms with the death of her son, Jacob has been having dark thoughts, while Maya has become increasingly reclusive after escaping from an abusive relationship. As the sessions go on, all three start to become more positive and accepting of their thoughts, but does the A.I really know what is in their best interests?

Watching The Job late last year, I thought the idea of a self help A.I was decent, but that one was lacking in the more darker moments. Thera Will See You Now has the same idea as that one, but with a more jaded outlook. The 12 minute short is presented as if it is playing out on a PC screen. Initially having the screen split into four quarters for the first session, subsequent ones begin to put the characters on full screen so you can better see the emotions in their faces as they speak. I had a decent idea where the story would go, and indeed it did lead to that conclusion. The illusion of watching events on a PC screen were good, and the special effects used to represent the A.I construct were not bad.

I wasn't blown away by Thera Will See You Now, but nor did it do anything badly. I enjoyed its story, one that felt timely judging from some of the more crazy A.I based news stories I have read about lately. The short can be streamed online for free here.

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The Rotting Zombie Presents: Breaking News! Banned from X!

In lieu of putting up a film review this Friday (as is tradition, an old charter, or something), I have breaking self indulgent news that nonetheless could have an impact on this site. For reasons unknown, I have been banned from X (Twitter as it will always be to me)! I went to stick up my latest review post and link and recieved a message saying 'After careful review, we have determined your account broke the X Rules'. Further investigation (well...a dive into my junk email) revealed the following:

I've read through their 'authenticity' guidelines and really can't see that I have broken any of them. I do find it a bit insulting I have been accused of being inauthentic, when this site is entirely written by me, and provides my personal thoughts and feeling on whatever media I cover. It could also be (as it says) due to me having been reported by someone (perhaps someone unhappy with a negative review!), but I go more towards it being randomly done by a bot scrapping the site for spam accounts and inadvertently flagging my poor account.
In one respect it is a bit of a relief to be off of X, even if it wasn't by my own choice. I joined Twitter just before it got big, and due to that, I had by far the most followers on that platform (over 4000). In recent years it has become full of hate speech (that the rules ironically state is forbidden), and more unappealingly, it is owned by a petty man-child who thinks it is perfectly fine to do Nazi salutes and meddle in elections. It has been a legitimate private concern of mine to be using a platform such as that, but due to the biggest follower count, I felt I had to use it.

This is all to plug the other social media sites I use to promote my blog. I'm not saying these are perfect sites either, but at least they have a slightly less dirty feel than X did. I don't know if being off that platform will reduce review and news requests sent my way. To be honest, I have zero idea how anyone finds their way to my site! Thankfully, this isn't a business here, I do it as a fan of horror, and as an excuse to practice my typing skills.

Anyway, if you could see it in your heart to follow me on any or all of the following it would be greatly appreciated. If you can't be bothered; well that's fine also!

Facebook: The Rotting Zombie

Threads: the_rotting_zombie

Bluesky: @therottingzombie.bsky.social

If you are really desperate then you can also check out my barely used YouTube channel also:

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Anyway, that is it, moan and shameless plug over. Next week I will be travelling to Melbourne and then returning home to good ole blighty, so I likely won't be able to get any posts put up until the week after when I am safely nestled back in The Rotting Zombie HQ.

Cedar Mills (2025) by Dylan James - Horror Novel Review

I received an eBook version of Dylan James' Cedar Mills back in June of last year, and at the time of typing I have just finished reading it. That may seem like a long time, but with my reading pile of shame as bulky as it is, that for me was actually lightning fast, though, obviously nothing to be proud of. I am getting as much reading done as I had hoped on my relaxing visit to Australia to visit family.

Back in the late 1990s, a biker witnesses his gang being torn to shreds by a monstrous creature out at an abandoned mill near the sleepy town of Cedar Mills. In present day, wanting to write an article about the history of the town for his school yearbook (and choosing this mostly forgotten event), a high school student heads out to the area to take some photos. This proves to be fateful, with the boy's last photo taken before he is abruptly killed being of that same creature that was reported about all those years ago. The town sheriff who was investigating this death has the case taken off her by a shady branch of the government, but not before she had recruited a disgraced former detective, now P.I - Tom, to investigate the case off the books. With the government covering up the death, Tom reaches out to the murdered boys friends - high schoolers Jake Evans, DeShawn, Angela, and Alexis, with an offer to tell them what he thinks really happened to their friend. Before much information can be traded however, they are ambushed by agents who had been following Tom, and they are forced to go on the run, as the agents are determined to hide the truth at any cost.

Cedar Mills started off coming across like a Stephen King type of small town horror. This is the type of town where everyone knows everyone else, and gossip spreads rapidly. From the thrilling prologue set in the 90s, events get moving rapidly. I figured the pacing of the story would see Tom and friends investigating the strange goings on in the town in a Stranger Things type of fashion. Instead, the novel is roughly split into three distinct parts. The early small town horror transitions into more of a road trip story, before coming together for an action packed third act that is pure creature feature horror. The story went to some unexpected places, with the story getting more wild than I imagined. I can't say I thought too much of the epilogue, mainly due to the rather abrupt cliff-hanger ending.

There were a lot of grim moments here. The creature itself is very deadly, a green reptilian type of huge monster with blade-like appendages for arms. The scenes of it killing victims were all very exciting, especially with how powerful it is. More detestable for me were the three government agents. Led by the psychotic Hives, they appear in some of the more miserable parts of the book. There even came a point where I had to take a break from reading - too much bad stuff were happening to likeable protagonists and likeable side characters alike! Despite a lot of the main characters being teens, they don't escape without harm. The story kept me going, as well as my assumption that these horrible agents would eventually get their comeuppance! 

Throughout Cedar Mills, I really struggled to put the book down. The short chapters and unfolding story over the 313 pages, kept me glued to the pages. I was a huge fan of where the story ended up going. Not that I haven't seen that type of thing done before, but I wasn't expecting that direction in this particular novel. Well written, action packed, and with a likeable collection of characters, I had a great time reading Cedar Mills, it did little wrong.

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No Through Road (2009) - Horror TV Series Episode Review

No Through Road I had assumed to be a short horror film. It was only while looking this up after the fact that I realised it was actually the first episode in a TV mini-series, with the three subsequent episodes coming out in 2011. I will be looking at this as if it were a short film as it certainly acts and feels like one. Written, directed and co-starring Steven Chamberlain, this effective British found footage horror did a lot of things surprisingly well.

It is 2008 and four English lads are out on a night time drive on the rural roads outside of Stevenage, with one of them filming the event on his new camera for prosperity. Their drive leads them to a tunnel that leads to an abandoned farmhouse and has a sign saying 'no through road'. It is after they decide to go through this tunnel that the strangeness begins. Carrying on their journey they keep encountering the same road sign time and time again, despite driving in a straight line. Seeing no traffic and constantly seeming to be driving in a loop, the boys get increasingly panicked, not helped by a disturbing loop of repeating music playing out over the radio. Just when they think they have finally escaped their nightmare, the real horror begins.

I thought this little horror was super effective. The gradual breakdown of the four friend's cockiness and bravado was done perfectly. The intro text stating the four were found dead in their car, and the outro text giving a link to a webpage should anyone who sees the footage can help the authorities work out what happened gave this an authentic feel. Editing was sublime, corrupted footage blending in earlier happier times of the four at home, distorted and creepy. Sticking so faithfully to found footage, this does drag ever so slightly at times, especially in the middle, and a lot of scenes of very dark and hard to see, even if this does make sense with this being 'natural' footage.

No Through Road succeeded due to its feeling of realism that resulted in a short that was at times unsettling, creepy and sinister. It can be viewed on YouTube.

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Garten of Banban VII (2024) - Horror Video Game Review

I have been barrelling through the Garten of Banban series of mascot horror video games these past weeks, mainly due to travelling to Australia for a month (at the time of typing). Hopefully I am still able to put up blog posts there using my laptop (I am!), this review is written four days before the long 25 hour plane journey starts. Garten of Banban VII is the first game in the series not to be released in 2023, and was the only one to be released in 2024. I also have to say it was mightily disappointing. As ever, unavoidable spoilers to follow.

After descending yet another elevator of the secret facility hidden under Banban's Kindergarten, you arrive on floor six - the domain of Syringeon. The previous floor having become overrun by Sir Dadadoo and his small army of corrupted creatures. You had fled the area with the intention of retrieving the missing piece of Queen Bouncila's magical sceptre; the only item capable of sending the giant slug and his naughty one minions back into her pouch. After finding the surgeon, he instructs you with locating Jumbo Josh, the green giant being somewhere in Syringeon's improbable city, and who the creature believes is the only one capable of stopping Dadadoo.

I have to say, I did not expect a city to be found on this particular floor of the facility. I reckon by now we must be getting on for a good half a mile under ground. After a brief but fun horror opening, you make it to the city. The rest of the game takes place in this small open world area, with you tasked with heading to various locations, such as a bar, apartment block and theatre, as you search for clues on Josh's whereabouts and find the items you need to capture him. Unfortunately, this is the most frustrating game in the series by far, frustration popped up at several annoying moments. Chase sequences are back, but there was one here that required a mix of running and pixel perfect jumps. I must have taken at least 50 increasingly angry attempts until I finally did that section. Then there is the drone, it has another upgrade that lets you control it directly. I had hoped this would make it less cumbersome to control, but alas, the controls are poor and its range is limited by invisible walls. There are also a lot less puzzles to be found here, a handful of ones that mostly revolve around memorising patterns.

The city was fine, populated by alien looking creatures who talk in a variety of languages, it wasn't anything exciting. It had a kind of 1920's American gangster type feel, the bar playing jazz music, and a misty vibe to the streets. I can't say I liked that aesthetic, for much of the two and a half to three hour game there was barely any horror to be found. You get the obligatory dream sequence which to be fair was pretty fun, but the lore here was minimal. The story of containing Sir Dadadoo started to feel like a bit of an unimportant sub plot, divorced from the bigger story of finding your missing child. I liked the twist ending, but other than that there wasn't many interesting events to be had, outside of an epic finale, and the death of a major character.

I figured that each subsequent game in the series would be better and more polished. Garten of Banban VII however felt a bit of a mess. It felt like it was too ambitious for its own good, the amount of times I encountered invisible walls during my playthrough was ridiculous, and those moments of absolute frustration really hampered my enjoyment. This was ok, but really lacked the quality of the last few games.

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Portrait of God (2022) - Short Horror Film Review

I was idling on the back porch of my aunt and uncle's remote house when I happened across a Reddit post about really messed up films. Needless to say, the ones I checked out didn't live up to the expectations placed on them, but they were still entertaining to watch. The first of these was the Dylan Clark (Transfigure, Home Movies) written and directed Portrait of God. It seems that a feature length version of this short is currently in production.

A devoutly religious teenage girl; Mia (Sydney Brumfield - Blood Star) is practising a power point presentation about a painting supposedly of God, that only certain people who look at it are able to see the hidden image, and which gives those people a feeling of having seen the divine. After her first practice run she goes through her presentation again, but this time, when she gets to the slide that shows a photo of the painting, she notices that where before there was just a black canvas, she can now spot something lurking in the darkness.

Set across seven minutes, this certainly started off effectively. The second half of this mostly takes place within a black void, assuming this is meant to represent the black painting. This part while still good, didn't feel like it quite worked as well as the initial section set in the girl's home. I did appreciate the somewhat open ended finish to this, a nice ending shot. Both the special effects and the creature design were good, but I couldn't help but feel this should have felt more unsettling than it actually was.

I loved the central idea for Portrait of God and as a short horror it excelled at not following the tired format that so many short horrors go for, not a jump scare to be found thankfully. A solid performance from the lead, and I can see how this could be lengthened out for a feature length adaptation. Portrait of God can be viewed on YouTube.

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