Time flies so quickly nowadays and I wouldn't even say I'm having that much fun. The weeks zoom by with nothing of note to show for them. Halfway through the year and time for another monthly news round-up.
Thursday 30 June 2022
The Rotting Zombie's Round-up of Horror News for June 2022
Time flies so quickly nowadays and I wouldn't even say I'm having that much fun. The weeks zoom by with nothing of note to show for them. Halfway through the year and time for another monthly news round-up.
Tuesday 28 June 2022
The Red Book Ritual (2022) - Horror Film Review
Any regular reader of The Rotting Zombie will know that I love anthology movies, and so it was with some delight that I discovered the Ariel Luque (The Building, Ellose) directed The Red Book Ritual was one of these. In addition to the wraparound segment there are five other short films included in this nearly ninety minutes film, the theme revolves around witches and demonic forces.
Sunday 26 June 2022
Skew (2011) - Horror Film Review
Welcome to the nineties, I wrote this review initially on an actual notepad with a pen, due to my internet being out for a few days. Thankfully service has resumed. After watching Infrared the other week I got a yearning for found footage horrors, and so I chose Skew (written and directed by Sevé Schlenz - Peelers), a film I have owned on DVD for many years, yet never gotten around to watching. I perhaps unfairly expected this would be a very generic 'by-the-numbers' found footage, and in some respects it was. It did however also have an effectively creepy atmosphere.
There is no typical opening screen of text saying how the footage was found, instead this appears to be raw footage, and has several points where the footage is rewound to replay scenes, and even a long rewind that goes even earlier than the start of the movie right at the end.
Friday 24 June 2022
Bewere (2019) - Short Horror Film Review
Bewere is a short twelve minute horror that was directed by J. Budro Partida and written by Joy Y. Lin (99 Bottles of Beer). As the title slightly implies, this is about werewolves for are one of my least favourite movie monsters. This short wasn't bad, not taking itself too seriously, while putting some answers to questions about werewolves that I hadn't ever considered before.
Rich college kid Aaron (Andrew P. Logan) has managed to track down a man purporting to be a werewolf, a man named Oz (Joseph Fotinos). He offers him a substantial amount of cash for Oz to turn him into one himself. Once he is turned however, Aaron tells the man he has no intention of paying him and heads off, and it isn't long before Aaron has also turned his best friend, Drew (Ray Roberts II). In this cautionary tale however it may have been a good idea to have honoured his deal, as this may have resulted in Oz revealing some pretty essential information to the new werewolf and his pal.
While twelve minutes in length it is only around nine minutes of actual film excluding the credits, though is a quick after credit sequence. The cast of three hold this together well, though it is the character of Oz who is the essential one, and the person who was the more fleshed out of the three. The werewolves here are people who literally turn into wolves and so during that whole sequence it is actual wolves and other animals being shown, rather than people in hairy costumes. There was always something a little goofy about the film and this results in a third act which was both really quite gross as well as amusing. I can't really say much more for fear of spoilers, but I enjoyed where this ended up going, even if it was very messy, not one to watch while eating that's for sure!
I may not be a fan of werewolf movies but a short one like this I was perfectly fine with. It did something different to any other werewolf film I have personally seen, and best of all it's free to watch. Bewere premiered on the Dark Matters' YouTube channel on June 17th.
SCORE:
Thursday 23 June 2022
The Rotting Zombie's News Anthology - 23rd June 2022
It's Father's Day here in the UK at the time I write this post and so I haven't been able to do as much blog as I would have liked. I have been watching the latest adaptation of John Wyndham's The Midwich Cuckoos with him however, so far not bad.
Coming this August to The Troubadour in London this August is Stranger Things: The Experience, which is sure to be big due to everyone seeming to love the Netflix show (me included). I will let the press release do the talking: '...launches guests through a perilous adventure through the darker side of Hawkins, including the infamous Hawkins Lab and the Upside Down. This brand new storyline, developed exclusively with the show's creators, propels guests into a parallel universe where they must run the gauntlet of terrors lurking in the dark and unlock their secret powers to help save the town.
After their escape from the Upside Down, fans will be free to explore Mix-Tape, where they can meet real-life characters from the Stranger Things world, grab a USS Butterscotch sundae at Scoops Ahoy, attempt to knock off MADMAX's high score at the Palace Arcade, try a unique cocktail at the first ever Stranger Things themed bar, chat with the friendly skater on Rink-o-Mania, snatch up exclusive merchandise and even get up close and personal with a Demogorgon'. Tickets are limited and prices start at £39, with group bundles and VIP tickets available, here.
A weird one next, there is a candle based on The Evil Dead series that can be pre-ordered. This comes from Horror-Fix and Legacy Custom Wax and is hoped to be the first in a line of horror themed candles. The press release for this one states: '...this candle is sure to send you spiraling back into the middle ages, complete with boomstick strapped to your back and chainsaw fueled up and ready to go.' That can be pre-order here, with it due to release on July 1st.
Finally for today, comedy horror film Cursed came to DVD on June 14th from Bayview Entertainment. It takes place on Friday the 13th when a Gypsy neighbour curses Dan's house on during his birthday party. The guests wake up dead which is just the start of Dan's problems in this dark comedy. That can be brought here.
Wednesday 22 June 2022
Cyst (2020) - Comedy Horror Film Review
From the title alone I was unsure whether comedy horror film Cyst would be for me as I'm not one who typically likes gross-out humour. The story in this Tyler Russell directed and co-written horror was so ridiculous that I found myself drawn into the almost grindhouse feeling experience.
This takes place in the 1960's, specifically in the office of crazed cyst specialist Dr. Guy (George Hardy - Troll 2). The man has been trying unsuccessfully to get his new machine patented, a machine that is designed to completely destroy cysts thanks to its precision laser. Things haven't been going according to plan however, as can be attested by the scar his long suffering assistant, Patricia (Eva Habermann - Trolls World) carries on her shoulder from a previous demonstration. Wanting to properly demonstrate the machine's power at destroying cysts, Dr. Guy injects his interns own small cyst with a serum that causes it to massively grow. This leads to an unexpected side effect however, the intern's cyst becomes a sentient creature and detaches itself from its host. It isn't long until the cyst has mutated into a hulking seven-foot tall monster, one that is determined to kill all the people within the offices it has become trapped in.
At just under seventy five minutes long Cyst goes along at a rapid pace once the creature makes an appearance. Due to the sixties setting this had an old fashioned feel to it, something that is reflected in the camera work itself. While there are no false additions such as film grain or burn it still felt like a movie lost from time. The creature design was certainly interesting, a bulky main body, with one giant eye on its shoulder, this creature reminded me a lot of the G-virus afflicted William Birkin from the Resident Evil 2 video game. Earlier in the film there was a The Thing vibe with the small head-sized cyst creature scooting along the corridors. It has tentacles which it uses to grab onto many of its victims, and its pus seemed to be acidic as is shown to cause burns bad enough to be able to sever limbs! While the cast isn't huge, the majority end up in some way afflicted by the beast, including at least one severed head.
Monday 20 June 2022
The War of the Worlds: The Immersive Experience - Sci-fi Event
A week last Sunday I had the pleasure of heading to London to visit The War of the Worlds: The Immersive Experience. I have long loved Jeff Wayne's musical adaptation of the classic H.G Wells story and so was happy to see how this experience would pan out, especially when it has gotten such good reviews. The building was located a short journey from the subway station and was easy to find despite the building being covered in scaffolding. It was in the same area of London as the iconic gherkin building, as well as the Monument and the Tower of London.
It all begins in The Spirit of Man bar, which serves both food and drink. While we were waiting for our 15:00 slot my dad ordered an expensive cocktail called a 'Martiantini'. This green drink may have been expensive (around £12) but was really nice tasting. There was a fighting machine in the bar and every so often smoke would shoot out from it, while the decor was all steam-punk in style, lots of brass, and paintings on the walls that were War of the Worlds artwork.
The experience is set out as if it has been created as a memorial in 1904 (I believe) to the Martian invasion that took place six years prior. A guide introduces herself and tells us that what we are about to see may feel real but that it is all fake and based on the famous account of a writer who lived through the event. In a small cinema type room we sat down and watched hologram type images of George and his wife as they give an introduction.
The experience follows the same route as the musical and book itself. The first proper part has our group of around eleven people being shown around an observatory by an actor playing the part of Ogilvy. Looking through telescopes we see Mars and the green mist coming off it, before seeing a spaceship crashland. The next scene we are taken to a room where a pod is at the back. Ogilvy goes up to it and led to a fun part where a heat ray beam is following him around with him oblivious to the danger. Then he goes up in flames, an effect that is created by swapping out the real actor for a video of a man burning on the back wall. The heat ray then shoots some more, each time actual lines of flame shoot out across the ground in front of us which was a cool effect.
Sunday 19 June 2022
The Rotting Zombie's News Anthology for 19th June 2022
As I have said in previous posts this week, I am perhaps dialing it in more than ever, due to going to London this past Sunday (which may possibly take the form of a blog post for next week). With that out the way, here is a mid-month news post.
Released on June 7th on DVD and Blu-ray comes the 2019 comedy adventure film, Aliens, Clowns & Geeks, which comes from actor/director Richard Elfman (Forbidden Zone). In this film, an out of work actor gets caught up in an intergalactic war between killer clowns and aliens. Included among the cast are Verne Troyer (in his final film role), Steve Agee, French Stewart and George Wendt. Special features of the release include behind the scenes interviews, a new interview with Richard Elfman, and a music video.
Film Market Entertainment and Sparke Films have announced the Cannes World Market Premiere of new horror film Scurry. Announced so far is Barry Pepper (Saving Private Ryan, The Green Mile) who is to be in the starring role. The film takes place in a city under attack by a monstrous threat. A group of disparate strangers find themselves trapped underground, and must try and find a way out while fear consumes them..
June 21st sees the 25th Anniversary edition release of Uncle Sam on 4K Ultra HD from Blue Underground. This William Lustig directed horror is about a soldier killed in an accident in Kuwait as a result of friendly fire. Shipped back to his hometown, his remains manage to become reanimated, and he returns to carve a murderous path across his town during its annual Fourth of July celebration. The press release states 'Uncle Sam is an over-the-top, tongue in cheek satire about American's obsession with military dominance and the great lengths the nation will go in order to appeal to the country's youth'.
Alien abduction film, Static Codes is due to begin production this month in Thousand Oaks, Ca. This is to be directed by David M. Parks and will star Sadie Katz (Wrong Turn 6), Mike Ferguson (Amityville Uprising), and Shane Woodson (8 Days to Hell). The film is about a paralysed man whose wife was abducted ten years previously. He has dedicated his life to finding his wife, who he believes was abducted by aliens.
Saturday 18 June 2022
Distraint: Deluxe Edition (2015) - Horror Video Game Review (Playstation 4)
A few years back I got in a real bad habit of buying no end of digital games in various sales. It became a problem as I wasn't actually playing these games, they were just joining an already out of control backlog (seriously, its well over a thousand games waiting to be played). Lately I have started pecking away at some of these games and Distraint: Deluxe Edition was one of those. It just goes to show how little I know of the games I own, as this turned out to be something quite a bit different than what I assumed it would be.
Distraint is a psychological horror game with a grotesque art style to it. You play as a young man named Price. You are a bailiff for a law firm and have been promised by the firm's three elderly bosses that should you successfully get three different tenants evicted from their properties that you will be made a partner. While there are other parts to this, the meat of the story has you solving minor puzzles in a limited 2D setting in order to evict three people. The first person you have to evict is an elderly and lonely woman and while you are successful, just what your job entails begins to really affect you, especially after learning the old woman was forced to move into a crueley run nursing home.
On the surface this doesn't scream horror, but the game has a distinct pixel based horror look to it, a letterboxed world of corridors and rooms that has the colour palette of a simplified Silent Hill, and the music to match it. There are six main areas in the game, including the three based around solving simple puzzles to evict tenants. In addition to the old woman, there is a level set at a log cabin out in the woods, and one that has you exploring a drug den in a squat. This is a dark world that is far more sinister than the real world. Here for example you will find a man in the basement of a nursing home chopping up the bodies of the recently deceased in order to save costs on funeral arrangements, and a large blood splattered dog who has recently savaged a fox. The game is 2D and has you as your gigantic headed protagonist waddling left to right, clicking on doors in the background to enter various rooms. There is no voice work in the game, instead the dialogue is all presented as basic looking text.
Friday 17 June 2022
The Rotting Zombie's News Anthology for Friday 17th June
This is the first of two news posts for this week. As I have mentioned in other places, I phoned in my blog posts this week due to heading to a War of the Worlds interactive experience in London this past Sunday. On to the news.
Prosper is a new horror film that was released via Midnight Releasing on June 3rd. This was written and directed by Deronte Smith and is about the last witch of Salem who returns after a fifty year absence in order to sacrifice people in order to keep her soul replenished. The film stars April Hollingsworth, Shayla Love, Nic Wolfe, Davien Harlis, Renier Cortes, Walnette Marie Santiago and Anastasia Pekhtereva.
Thursday 16 June 2022
Death Count (2022) - Horror Film Review
The Michael Su (Attack of the Unknown, Art of the Dead) directed Death Count falls firmly into the 'torture porn' genre of horror due to its focus on the torture of the group of kidnapped people. This felt to me like an indie version of Saw, being a lower budget it means the many scenes of violence feature special effects that aren't always the best but always fun to see, and while a little samey, this provided plenty of bloodshed.
Eight people awaken chained up in identical looking grimy cells with no memory of how they got there. They soon learn from a mysterious man calling himself Warden (Costas Mandylor - Saw VI, Saw V, Saw IV) that they are to participate in a round based game that is being watched on the dark web by countless viewers. Should they refuse to take part in the violent games then they will be killed, and any attempt to escape their confinement will result in the explosive device embedded in their neck detonating.
It soon becomes clear that Rachel (Sarah French - Art of the Dead) is the film's central protagonist, and while the film sometimes focuses on the other captives, it is her who gets the most screen time, and who is just about the most sympathetic of the bunch. The indie nature of this, and that it mainly appears to take place within a single room meant that I was reminded a lot of The Odds. The difference being the greater amount of characters here, most of which get taken out in various gory and original ways. The cast never get too much to their characters, the more aggressive ones shout threats and insults at the camera constantly, the more timid ones stand around and cry. There were some fun characters here amongst the cast, such as the very brief role played by Robert LaSardo (Attack of the Unknown).
Then there is the movie's subplot which was played slightly for laughs. This was a breath of fresh air in that it takes place out in the wider city, and centres on two incompetent but experienced detectives who have been put in charge of stopping the killings. To do this they spend half the film sat around in a busy office cracking jokes, and then the second half of the film randomly driving around while still cracking jokes. These parts are impacted by some dodgy acting at times, though with Michael Madsen (Kill Bill: Vol. 1, Reservoir Dogs) playing one of these roles it wasn't all bad. For such a known actor he was in this more than I expected, though this subplot only makes up around a quarter of the eighty minute run time.
Tuesday 14 June 2022
Enigmatis: The Ghosts of Maple Creek (2011) - Horror Video Game Review (Playstation 4)
Lately while doing this blog at the weekend (for all my posts are typically written on a Saturday and Sunday) I have felt a bit like I'm dialing it all in, writing posts out of a feeling of obligation rather than feeling passionate. I blame all the video games I have been reviewing lately, I don't get nearly as much traffic for game reviews than I do for my film reviews. This weekend isn't the time to turn things around, I have just the one day I will be able to work on my blog as am going London for the day on the Sunday.
Enigmatis: The Ghosts of Maple Creek is a hidden object adventure game (first released in 2011), a genre that reminds me of my parents, who at one point in their lives both played these games religiously. If that hadn't been the case I doubt I would have become interested in these and noticed that a fair few of them are horror based in nature.
The game starts off in an interesting way. You awaken in the middle of a storm ravaged village with your short term memory completely absent. You are a female detective who had headed to the area in search of the cause for the high number of missing people reported there, and it seems you had made some headway into your investigation. The memory loss however means you must start almost from scratch, with only the enigmatic (enigmatis?) notes and clues from your prior investigation to go on. What you discover is a village with a brainwashed population, something to do with a local preacher.
First off, that title is dumb. Sure, the game does take place at Maple Creek, but there are no ghosts at all here, it isn't that sort of horror game. Outside of the mystery of finding the location of all the missing girls, you also have to discover what is causing the village folk to act so weirdly. When hidden object games first appeared that was all you would do, search room after room of massively stuffed environments, with a whole laundry list of things to find. As the genre matured, these hidden object segments were made simpler, while a whole host of one shot mini games were introduced with a slight puzzle element to them. The puzzles here are as simple as the hidden object scenes, but not so simple that you don't need to at least vaguely use your brain. With the hidden object sections the only issues can come from not quite understanding what the object you are seeking actually looks like, but a generous hint system works there. With the puzzle sections these include such things as block puzzles and simple math problems. At any point you can use the hint system to point you towards where you need to go, while a map screen highlights any areas where you can do things to progress the game.
Sunday 12 June 2022
DCeased (2019) - Zombie Horror Graphic Novel Review
It may have taken some time but the DC side of comics finally came up with their answer to the popular Marvel Zombies series with their six issue mini-series DCeased, in which zombie apocalypse came to Earth. Rather than be a carbon copy this went in a slightly different direction, more serious, and with a vastly different explanation for what was going on. The graphic novel includes both the six issue run, as well as A Good Day to Die spin-off.
It all begins with the Justice League defeating Darkseid and stopping his invasion of Earth. Before he returns to his homeworld of Apokolips he informs them that it was never about conquering the planet, but that he had been searching for something that he has now found. Back home, he tells a captured Cyborg that it was the second half of the 'Anti-Life Equation' that he was looking for, and that within Cyborg he has found it. He planned to use this formula to bridge the gap between electronic and biological viruses in order to be able to control everyone who was infected, but something went wrong and instead of control, the equation instead caused the infected to die and be reborn as the undead. With a zombified Darkseid on the loose on Apokolips, his sorcerer Desaad in panic sends the root of the virus, Cyborg away back to Earth hoping that will sever the connection. Back on Earth, the man is powerless to stop the virus within his body automatically uploading itself to the internet and pretty soon nearly the entire population of the world has become a mindless zombie due to the ease it spreads online.
First things first, I can't say I really understood the beginning of this. I gave up trying, needless to say, the virus spreads by people using their phones and using TVs and computers. The zombies here aren't so much flesh hungry as just supremely violent, but being braindead creatures their violence comes out in the form of teeth and claws. It follows the traditional rules in that anyone bitten becomes infected, eventually to turn, this even applies to ingesting blood of the infected. Superheroes and villains are what make this so different as you would expect. Unlike Marvel Zombies, which had most the superheroes quickly infected, here the main crux of the story is the surviving heroes battling to find a way to save Earth. In the Marvel run, eating the flesh of the living allowed the heroes to retain a degree of intelligence, still able to speak and to act somewhat rationally. Here, the zombies have nothing but base intelligence, even the superheroes become mindless creatures, albeit ones who are still able to use their powers in order to destroy. The speed at which the Earth falls is down to these superpowers, such as Captain Atom, someone who it appears has the power to explode like an atomic weapon, Aquaman who can control the creatures of the ocean and Giganta who becomes a fifty foot tall zombie.
Saturday 11 June 2022
Life After: The Basement (2014) by Bryan Way - Zombie eBook Review
After the enjoyable Life After: The Cemetery Plot I was looking forward to reading the next short story from author Bryan Way. Life After: The Basement is that story and is the first to feature an antagonist force which wasn't undead. Again, some mild spoilers for the first book will follow.
The story here takes place at some point after zombie apocalypse has occurred. It follows the adventure of Eric and Mia who have been investigating the origins of the reanimation, and think they have found it within the confines of a shady corporation whose base of operations is near where the dead first rose from their graves. On the search for the truth however they take a misstep and end up at the home of a deeply troubled man.
I loved how this started, The Arising went to no lengths at all to provide an explanation for what was happening, instead, the survivors there were just doing their best to survive. I sometimes feel an explanation is not needed as it typically just goes back to some sort of shady government experiment gone wrong. Still, it was interesting to not only find out other people had survived in Grey's hometown (the protagonist of the first novel), but that they were more clued into things than he was. It was the titular basement where things got a bit too darker than expected. It once again confirms the old adage that the most dangerous thing in a zombie apocalypse isn't the undead, but other humans. It led to some unpleasantness over its thirty four pages that I hadn't yet experienced in this particular world. While this whole sequence was uncomfortable, it did have one darkly comedic part that shone out. By the story's end things had flattened out once again, finishing with a nice reference to the first book's group, I do love interconnected stories.
The Basement felt more stand alone than The Cemetery Plot and went to some surprising places. Even with the dark transition in the middle this was still a fun world to return to.
SCORE:
Friday 10 June 2022
The Expat (2021) - Thriller Film Review
I was sat on my office pondering what films to watch for review this weekend when the Gregory Segal written and directed The Expat dropped into my inbox. It was a thriller rather than a horror, but sounded like it was about a serial killer and so I decided to give it a shot. In truth, it is far more a drama, with the killings relegated to the background, yet I came to enjoy the film for what it was.
Nick (Lev Gorn - Maniac TV show) is a former American Marine who is now on a very long extended vacation in the Philippines, having left his job due to PTSD. He spends his days relaxing in bars, while he spends the evenings with various women that he meets on a local dating app. Things take a dark turn however when the bodies of girls Nick has been seeing begin to turn up all over the city. Due to the connection to him, a local Manilla detective, Cruz (Mon Confiado) pins him as the prime suspect, yet with no evidence Nick is free to leave. After the man moves to a beachside town he thinks all his troubles are behind him, and even meets a woman (Delilah played by Lovely Abella) who could mean more to him than just a casual fling. The killings follow Nick however and he begins to realise that whoever is responsible has a deeper connection to him than he at first suspected.
So, The Expat is far more a drama than a thriller and that is mainly due to the killings being almost treated like a side plot. They happen in the background and aside from one of them, they are not even something that is shown on screen. Typically the first the viewer knows of it is when Cruz is visiting a crime scene. The whole second act is almost completely murder free and instead falls into a deep look between Nick and Delilah, working on building the relationship between these two disparate characters who nonetheless begin to build an attraction. With Gorn you have an actor who always makes his character feel like he is a fish out of water, never able to shake the foreigner label. This can be seen both with his interactions with characters but also how he is shown on screen, often being accosted by beggars and being stared at by locals. The PTSD part of Nick is barely ever looked into, there are a couple of scenes where we are shown him having an episode, while this could have been used to implicate the man in perhaps killing people while under the effects of PTSD there isn't enough done to create that suspicion. The way the protagonist acts never once made me think he could actually be the killer, far too chilled out.
Wednesday 8 June 2022
The Pond (2021) - Horror Film Review
I really wanted to like The Pond, it sounded like the story was going to be really captivating and engaging. Unfortunately, by the time this ninety five minute movie was over I was none the wiser for what on Earth it was all about. This excels in keeping its plot a mystery, something that becomes a detriment to the viewers experience. My synopsis may sound a little confused!
Monday 6 June 2022
Infrared (2021) - Horror Film Review
It has been a fair while since I last saw an old school style found footage horror that was really committed to doing what it said on the tin. Co-written and directed by Robert Livings and Randy Nundlall Jr. (who also play characters with the same names within the movie), Infrared started off a little rough but I really came to enjoy the dynamic of the cast.
The footage is presented as three separate recordings. One of these was pilot footage for a new paranormal investigation show that was to hosted by Wes (Jesse Janzen - Cry Wolf), the other two recordings are said to have been discovered in the basement of an abandoned school. In one of those later two we see brief footage of a woman exploring the allegedly haunted school before in typical found footage fashion her camera falls to the ground. The other one makes up the majority of the film and again follows Wes, who is in the middle of creating the first episode for his show. Having gotten permission by the goofy owner, Geoff (Greg Sestero - Tommy Wiseau's legendary The Room) to film in the school, Wes, along with his film crew and his sister Izzy (Leah Finity) are exploring the place, hoping to pick up some evidence of supernatural activity. They end up getting far more than they bargained for.
I can't say I was fully on board with this to begin with, this was mainly due to the first two small parts. The pilot footage featured Wes performing an exorcism in the house of a young couple. While I can see this worked in giving evidence of something bad that happened in Wes' past, the ridiculous demonic voice that the possessed woman talks with came across as silly rather than scary. Then there is the generic solo footage of the woman in the school, thankfully this part was short and it became interesting later on when it becomes clear how that seemingly unrelated incident feeds into Infrared's greater plot. The school itself was a good location, the abandoned rooms can't help but look good on camera, especially when day turns to night. It was helped by being given a backstory to it that made it feel more atmospheric.
Sunday 5 June 2022
Life After: The Cemetery Plot (2014) by Bryan Way - Short Zombie Horror eBook Review
Life After: The Cemetery Plot was the first in an initial trilogy of side stories that took place within Bryan Way's Life After universe in which zombie apocalypse has come to America. I read and enjoyed the first full length novel, Life After: The Arising back in April and so was happy to return to that world. At thirty four pages this is more of a short story than even a novella, unexpected but not entirely unwelcome. Being intended as a supplement to the first novel there will be some spoilers about that book in discussing this one.
Friday 3 June 2022
Pinku Kult: Hex Mortis (2022) - Horror Video Game Review (Xbox One)
Pinku Kult: Hex Mortis is an indie turn based RPG with a definite horror bend to its style. On the one hand it is perhaps too simple in its gameplay and mechanics and has a bit of a short length. On the other hand however this was a load of fun with good music, an interesting artstyle and an addictive feel. Originally this was an apparel brand designed by Hana Eaton, so it was cool to see it altered to become a game instead.
The game takes place in the dark and grim Razore City, where, desperate for a job you apply to work for the mysterious Shokan Corp. Your application is successful and you initially get tasked with investigating a series of unexplained disappearances around the city that have something to do with a strange girl wearing a fox mask. Your adventure leads to you discovering that demonic forces are loose, and eventually leading a group of four characters you battle over four chapters to stop them.
With a small map screen I figured this wouldn't be the longest game in the world, and after slightly under four hours I had finished it. With a $9.99 price tag (seems to be £7.99 in the UK) that wasn't the worst price for what you get. There are three main dungeons to explore as well as an optional one that combines elements and enemies of these three together. While this is turn based fighting, the enemies appear in the gameworld before hand rather than it being random. There were no proper side quests to do, though there are obvious other things you can be doing which tie in to a fortune teller you can find on the high street. One complaint I had was the simplicity, while you can level up as you fight enemies, which unlocks more powerful abilities, there is no option to buy better weapons and armour/clothing. There is a shop where you can buy a limited number of potions to restore both health and magic, but with the amount of health items dotted around the levels I never really felt the need to buy these. It led me to amassing quite a small fortune of money that I had nothing to spend it on.
Thursday 2 June 2022
The Prey: Legend of the Karnoctus (2022) - Horror Film Review
The Prey: Legend of the Karnoctus is a creature feature horror that was co-directed by Cire and Matthew Hensman. To say this felt like a cross between Predator and The Descent would be doing those films a disservice, as while there are some good bits here, mainly it is a bit of a snoozefest.
A group of mercenaries have planned a heist in Afghanistan to make themselves rich. Their plan is simple, to ambush an insurgent group there and steal their precious cargo, then while two of them, Reid (Kevin Grevioux - I, Frankenstein, Underworld) and Tagger (Nick Chinlund - The Chronicles of Riddick, Con Air) take the cargo to a nearby cave system, the others, which include among them, Vega (Danny Trejo - Machete, From Dusk Till Dawn) are then to go and find a helicopter and come retrieve them and the prize. Things don't go according to plan though, a U.S platoon in the area come under attack from who they assume to be Taliban, they choose the same cave that Reid and Tagger happen to be hiding away as a place to seek refuge, and during their escape from the enemy force a cave-in is caused trapping all inside. With no other option than to team up together, the two groups head deeper into the cave system with the hope of finding an alternative exit. Unfortunately for them, the cave happens to be home to a very deadly sasquatch creature known in local legend as the Karnoctus...
It is obvious that The Prey is an indie film, and that can be seen almost straight away with essential parts of the plot taking place as animated comic book panels during the intro credits. The larger than life mercenaries are the best part of the movie, but aside from a brief prologue gun battle many of these characters then leave the film, only to return as cartoon images during the film's epilogue. Trejo is a double edged sword in indie films like this, his inclusion is of course very welcome as he is an iconic legend, yet his appearance is only ever fleeting, I assume due to the cost of hiring him. Aside from Reid and Tagger, who were both very entertaining, the rest of the cast are the U.S platoon who are full of cocky, yet fresh faced soldiers. They are stereotypical as they come, covering different races, and featuring the obligatory comedy character in the form of the somewhat annoying Sullivan (Matt Musgrove - Grimm TV show). This colourful cast are who try and hold the interest as a huge chunk of the film just has these people wondering around dull identical looking featureless caverns as they bicker amongst themselves.